Showing posts with label country and bluegrass. Show all posts
Showing posts with label country and bluegrass. Show all posts

White Christmas Review

White Christmas
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Martina McBride released this CD several years ago. At the time I bought her CD and could not stop listening to it during Christmas.
Now they have packaged it with 4 new songs. Jingle Bells and Winter Wonderland are my favorite new songs on the CD. Silver Bells is my favorits song on the entire CD.
If you are a Martina McBride fan or if you just like Christmas music, this is for you.
Martina could possibly have the best voice in Nashville, and now she sings our favorite carols as well..............You have to buy this one

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The multi platinum country music star, Martina McBride, continues to amaze the masses with her incredible talent and undeniable talent and undeniable talent and undeniable presence. In 2007 alone, she made appearance on American Idol, the Early Show, Regis and Kelly, and the View. Martina also visited the Today Show multiple times, opened the NBC 4th of July Special and was the subject of a 2 hour primetime special, Six Degrees of Martina McBide, that aired summer 07 an ABC. In addition to her TV appearance, Martina was the 2007 top country female touring act, and in all genres, second only to Gwen Stefani.--This text refers to an alternate Audio CD edition.

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Emmylou Harris - Spyboy Live (2000) Review

Emmylou Harris - Spyboy Live (2000)
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I have been an Emmylou fan since I first saw her playing small bars here in Washington, D.C. and she just keeps getting better. This is by far her most musically adventurous band coming on the heels of her Wrecking Ball recording. Since I missed the Spyboy tour this is the next best thing. Emmylou sings with more power and soul than ever and Buddy Miller is a truly unique musician. If you like the Spyboy recording this is a must.

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The Highwaymen - Willie, Waylon, Cash & Kris - Live Review

The Highwaymen - Willie, Waylon, Cash and Kris - Live
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If I were lucky to have been at this concert, it would be one of the few times where I could walk out and say.....Now THAT was a great concert!
Next best thing to being at the live concert is this videotape of country greats/legends. What a grand event with legendary heroes - the immortal Johnny Cash, quivering voice of Waylon Jennings, the talented songwriting of Kris Kristofferson and of course the versatility of Willie Nelson.
In between the songs are short snippets of separate anecdotes the four share about each other. They have respect, love and admiration for one another. The music is superb, the audience receptive and the band a core of excellent musicians.
The concert offers a diverse array of music from Willie's jazzy and sultry "Nightlife" to the comedic "Boy Named Sue" and the spiritual "Why Me Lord".
Johnny Cash sings the patriotic "Ragged Old Flag" and Waylon does his classics- "Mamas Don't Let Your Babies Grow up to Be Cowboys", "Are You Sure Hank Done It This Way", "Ain't No Good Chain Gang" and "Luckenbach, Texas".
Also included are the traveling tunes like "City of New Orleans" and "Highwayman". Johnny Cash sings his classics, "Ring of Fire" and "Folsom Prison Blues". The other three join him for a fantastic performance of "Big River". A perennial favorite is Kristofferson's "Me and Bobby McGee".
On the softer side - Waylon's "Amanda" and the beautiful song "Always On My Mind". Willie does this one in his original classic way.
And there are the cowboys tunes, "Silver Stallion" "Last Cowboy Song". The four lend a voice to each other's songs. They are always on stage together.
Some songs I wasn't very familiar with like "Trouble Man", "Best of All Possible Worlds", "They Killed Him" and "Living Legend". But to hear them is an introduction to wonderful songwriting, something that country music lacks today. "On the Road Again" - what better way to end a show than with that catchy, fun road song.
The tape was shot at Long Island's Nassau Coliseum in 1990 and runs 98 minutes. There are 25 songs! So enjoy a great show that will never be duplicated again. .....Rizzo


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Lilith Fair: A Celebration Of Women In Music, Volume 3 Review

Lilith Fair: A Celebration Of Women In Music, Volume 3
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I was give Volume 2 and I thought it was good. I decided to go see how Volume 3 was. I loved it! In my opinion even better then the Volume 2! It has a wide variety of songs that all sound great. i loved Sarah's "Black and White". It's amazing!

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Lilith Fair: A Celebration Of Women In Music, Volume 2 Review

Lilith Fair: A Celebration Of Women In Music, Volume 2
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It is quite rare these days to find high quality compilations featuring female artists, but this is an absolute exception. 'Lilith Fair 2' contains a wonderful mix of old and new artists, all of whom sing with great passion and vibrancy. The music comes across as being meaningful and listenable, and successfully captures the diversity which has really brought women's music to the fore. Standout tracks include 'Angels' which is beautifully sung by Sarah and Emmylou, 'Island' by Heather Nova (she truly has an angelic voice), 'Sway' by Bic Runga (she epitomizes warmth and tenderness) and 'In the Ghetto' by the brilliant Natalie Merchant. Moreover, this compilation exudes all that is great about women's music and it truly will not disappoint. If only there were more compilations (other than the 'Lilith series) besides this!

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Fresh Horses Review

Fresh Horses
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I ordered this CD and it does not have "To Make You Feel My Love' on it.

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One artist...one decade...one hundred million albums sold! Garth Brooks remains the biggest Country artist of all-time.He harnessed the Country and Pop influences of has past and created a new kind of Country that appealed to different generations of fans and crossed over into the Pop market like no other artist before him.Garth Brooks changed the rules based on his talent alone. He became a worldwide superstar while remaining true to his humble roots, which added to his appeal. This is his 1995 album and features 'Cowboys And Angels', 'The Fever' and 'She's Every Woman'. Pearl.--This text refers to an alternate Audio CD edition.

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Spyboy Review

Spyboy
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This is an astonishing album -- not only does it capture the essence of who Emmylou Harris is (as a singer and songwriter), but it showcases her wonderfully as a live performer. Spyboy is a brilliant title for this live CD. The spyboy is the young lad who leads off the Mardis Gras parade, which is a great metaphor for Harris' career. She has always been at the forefront of defining and redefining the confluence of country, rock, and folk music.
Here, she and her band beautifully reinterpret songs that she has made into classics. My Songbird, a Jesse Winchester gem, is delivered in classic Harris style -- aching, plaintive, and with an air of resignation. It doesn't matter that the song is written in the first person and spoken by a man. This is a haunting and painful song about separation that only Harris could deliver so sweetly.
This theme of pain, separation, and moving on permeates this recording, and is exemplified by such songs as Daniel Lanois' Where Will I Be, the traditional Green Pastures, and her own composition about Gram Parsons, Boulder to Birmingham. But this is not sappy sentimental country-folk-rock. Instead, it is intelligent music making in the same way that is true of other performers such as Richard and Linda Thompson, Mary Black, or Mary Chapin Carpenter.
The aura cast by the musicians is somewhat ethereal, being clearly influenced by Daniel Lanois, long-time producer of U2's recordings, and of Bob Dylan's Oh Mercy. Lanois' influence on Harris is most pronounced in her Wrecking Ball recording, a style that overflows into this live concert. In fact, Harris sings two Lanois compositions, in addition to Deeper Well (a song I have yet to appreciate), which they co-wrote. I have to admit that I'm getting a little tired of the Lanois style (he's also produced a recent Willie Nelson recording), however, there's no denying his success. My other pet peave is that any recording that Lanois produces includes one or two of his songs. He seems great at marketing himself and his production style. Mercifully, a performer like Harris is so transcendental that one doesn't notice such seeming trivialities. Rather, this (or any other Harris recording) is an experience not to be missed.

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Place in the Sun Review

Place in the Sun
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I was slow to catch on to Tim McGraw's music, because some of his biggest early hits were upbeat novelty songs--for instance, "Indian Outlaw" and "I Like It, I Love It"--and I figured that that was where he was going to be most successful. How wrong I was. In the last two or three years, I think Tim's music has actually gotten better. Maybe it's marriage and fatherhood, or maybe he does a better job of picking songs now than he did five years ago. Whatever the reason, I think A Place In The Sun is a great effort.
"Please Remember Me", the initial hit song from A Place In The Sun, was criticized for being overblown. I think that criticism is wrong. The song's writer, Rodney Crowell, has written a number of great songs over the years. I think this is another gem from Rodney, which Tim was smart enough to recognize as a hit--and the idea of one person's asking the other person to keep a memory of a relationship, even though the relationship is over, is skillfully done. "Carry On", about keeping a positive attitude in the face of adversity, is another great song. Even the drinking songs, "She'll Have You Back" and "Senorita Margarita" show a depth that was lacking in some of Tim's earlier songs. The title song, "A Place In The Sun", about searching for a "place"--meaning, a sense of belonging--is well-crafted. And "My Best Friend" is a positive statement about marriage.
Tim still gets up-tempo here. "Something Like That" is a catchy song about what the first romance feels like (remember the line about the "barbecue stain on my white T-shirt"); "Seventeen" is a rocking number dealing with what it was like to be that age; and "My Next Thirty Years" is a bouncy celebration of life. The difference between these numbers and some of Tim's earlier songs is that, besides being fun, these songs actuslly tell a story. Tim and his co-producers, James Stroud and Byron Gallimore, put a lot of work into this record, and nowhere is it more apparent than in the song selection.
Even though I hadn't bought an album by Tim McGraw before I bought A Place In The Sun, I gained a greater appreciation for his music after listening to the album. As this record shows, Tim is no mere novelty-song singer. He's a talented entertainer who until recently hasn't gotten the recognition he deserves.

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Faith Hill - When the Lights Go Down (2003) Review

Faith Hill - When the Lights Go Down (2003)
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This dvd is chopped up by interrupting several of the performances. This behind the scenes footage is ok between songs, but literally intrudes into some of the songs. Would have
been much better if the performances were uninterrupted, and you could access directly to the start of each song. The behind
the scenes stuff is ok the first time you watch, but after that you are still forced to watch it. Someone made a big mistake with this idea. If they wanted to include the behind the scenes stuff, it should have been added at the end as "bonus footage".
However, when you get Faith Hill singing, it is great.

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WHEN THE LIGHTS GO DOWN - DVD Movie

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Shock'n Y'all Review

Shock'n Y'all
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I would wager that you will either really love this album or really hate it. The promotional idea of playing it on the radio the day before it hit the stores was a stroke of genius. It had me going straight from work the next day to buy it. I already knew I liked the songs so when I loaded it in my PC and found approximately 15 minutes of video, I was doubly pleased. The songs are definitely unique so if you weren't privy to the preview, listen with an open mind. We all know "I love this Bar" so it doesn't need an introduction but the others..... "Taliban" gave me a different prospective on the War. An "American Soldier" pays tribute to our fighting men as only a song can do. "If I was Jesus" has to speak for it's self. How he mixed blasphemy with heavenly praise and got away with it is beyond me but the God fearing woman in me was not offended. No Toby Keith CD is complete without at least one or two that make you want to crank up the volume and put the pedal to the medal. Those would be "Time for me to Ride" and "Sweet". The Willie Song tops it off with a laugh. In my opinion, there is something for everyone, except maybe a Dixie Chick fan. My summary would be "This is Toby Keith Bone Deep" and I am definitely on the "loved it" side of the fence.

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Tim McGraw and The Dancehall Doctors Review

Tim McGraw and The Dancehall Doctors
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Tim's show in Feb '98 was my first country concert of my life, and ever since then, I have been a big fan of his. His newest cd is great! "She's My Kinda Rain" is a great love song, and "Red Ragtop" tells a great story that many people can actually relate to. Not to mention Tim's cover of Elton John's "Tiny Dancer" is amazingly done! Only thing that can top it is the American Music Awards performance of the song as a duet with Tim and Elton. Another great song on the cd is "Real Good Man". "...when it comes to loving you, I've got velvet hands; I'll show you how a real bad boy can be a real good man..." That line just makes me melt. It sounds like he is singing his heart right to Faith. What a lucky woman she is! Ok, well, most of the cd has that same romantic idea. What a talented singer Tim is.

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Full Title - Tim McGraw & The Dancehall Doctors. Thecountry star's 2002 album combines a 70's vibe with rock &pop as well as country. Featuring the first single 'RedRagtop'. Curb Records.

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Lyle Lovett and His Large Band Review

Lyle Lovett and His Large Band
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This was the first Lyle Lovett music I had ever heard, and I now own every one of his CD's. With a couple of hints that one day he would move in this direction on his earlier discs, he does what few artists, if any, have ever done before. He successfully mixes big band, soul and blues music...with country music!
Has this ever been done before? If it had been done before, I had never heard it. In a truly courageous manner, Lyle opens this CD with the track "Blues Walk", an instrumental. Then, the next few songs are a wonderful array of blues and soul music serving as an excellent showcase for his songwriting talents and the amazing musicians he has backing him up in his "Large Band".
There is love, confusion, and humor...and then all of sudden, Lyle lets loose with a version of "Stand By Your Man". Hearing him sing this song, you would think it was written for a man. With this song, the rest of the disc (save for the last song) is all traditional country music. The transition makes sense. The mix of the soul and country songs make sense. The themes travel seamlessly throughout the entire disc.
Do yourself a favor and buy this disc. Lyle Lovett is one of those artists who, when he is gone, people will finally realize what they have been missing. He has one of the best voices in music today, his songwriting is at once humorous, touching, heartwarming and sad, and his "Large Band" is a collection of the finest musicians working today.

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Road & The Radio Review

Road and The Radio
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Kenny Chesney started out as a great country artist but over the last 3 albums he seemed to take a detour through Margaritaville leaving his country fans to hope that he was still on his way to his next country show. After hearing his latest release 'The Road and the Radio' it looks like the old Kenny is back. There are a couple songs that talk about sand and/or sun but they don't have the island feel that his last 3 albums have had. Personally I'm not a Jimmy Buffett fan so music that resembles it hasn't been my cup of tea. I thoroughly enjoy Kenny's latest work. If you're like me and you missed the old country Kenny you'll enjoy this cd. If you became a fan of Kenny's from his last 3 releases or you liked them better, I still think you'll like this release as while the sound may be more country, the feel is still laid back. Overall 5 stars and I feel an album all of his fans will enjoy.

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The Highwaymen - On the Road Again Review

The Highwaymen - On the Road Again
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"On the Road Again" is a good video portrait of the Highwaymen. This hour long DVD is as close as most will ever come to a Highwaymen show. The camaraderie and bond between Waylon, Willie, Johnny and Kris is as apparent here as it is invisible on the corresponding album. The sentiment that the group is made up of four ol' friends comes across strongly. Relevant interview fragments are sprinkled between and within songs. Regardless of who your favorite Highwayman may be, the song selection is good as the band plays most of the favorites that one would expect like the Dukes of Hazzard Theme, Folsom Prison Blues, Me and Bobby McGee and Riders in the Sky. The United Kingdom may seem like an odd place for a Highwaymen video concert, but the boys explain their connection with the land and people. While the video production is good, the sound could be better. At times, the audio sounds like an audience recording. "On the Road Again," may be the essential document to showcase the Highwaymen's power, talent and warmth.

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Item Name: The Highwaymen - On the Road Again; Studio:White Star

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Real Live Roadrunning (with DVD) Review

Real Live Roadrunning (with DVD)
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This set comes as a CD / DVD combo, but after listening to (and viewing) the DVD, I can't imagine when I would ever listen to the CD. There is nothing wrong with it, but the DVD has more songs and when played through a good home theater with DTS capability, it has an unmatched sound quality. Even if I simply wish to hear music, I'll load the DVD, set it up to DTS, and then turn off the TV. This is the quality of sound that makes it clear why we don't just have a DVD player hooked straight into the TV, and why we tolerate a room full of speakers. If you can't decode DTS, you are missing a lot with this DVD.
The DVD has a mini interview / photo shoot where both Knopfler and Harris talk about the project that became their previous album. There are some other nice things included, such as a warm-up session where the players all sit around and play acoustically to get into the mind-set for the show... just a little jam session.
The actual concert was a nice mix of songs from the Knopfler / Harris album, "All the road running" along with some gems from Knopfler's solo work and even a couple of Dire Straits tunes. Knopfler is not stingy about allowing Harris to sing songs from the back catalog, and some of the duets from even the Dire Straits era sound like they could have been cut for the last project.
A couple of highlights for me:
Song for Sonny Liston: Wow! This track is a real minimalist delight. Mark sits on a chair hits that shuffle and sings. A bit later some drums and an acoustic upright base come into the mix. It is feel, rhythm and story, not flash or superficial fluff. Knopfler takes a verse to solo a bit, but this is also understated, yet great. The base player and Mark play off of each other and then some more vocals. I kept hitting replay on this song when I first saw it.
Speedway at Nazareth: From "Sailing to Philadelphia", the song is nicely rendered, but I loved the last couple of minutes after the singing was finished. The band is simply fantastic. It is a real team thing here, with the appearance that everyone is soloing at the same time, yet not once is anyone showing off or walking over the next person. The stage is full of world-class musicians that most people could never name, who are so in sync and meshing perfectly. With no visual cue, they all land on one single terminal note and the music stops. It is so nice to see professionals in action.
Why Worry: This Dire Straits tune becomes an Emmylou Harris song here. It ends the show, and makes you want more. Terrific.
There are great bits throughout the entire concert. Mark does bring out several guitars and while not playing blinding speed runs, he says more these days with a few very well chosen notes than most people can with a hundred. It was nice to see him with that thumb / claw style of finger picking that has become his signature just serving the song, rather than showing off. At just over an hour and a half, I never felt it was dragging on too long. An overall great show.
O.K. For the record, aside from my comments above about the CD being less important than the DVD, based on the quality, I did listen to the CD all of the way through. It is a first rate music disc in everyway, and will be nice in a car or office CD player if that is the only sound system that can be used. If I am home, the DVD will be my first choice, even for audio-only playback. Again, it has more songs and that 5.1 surround sound from the DTS track makes this a no brainer for me.


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Live footage of Mark Knopfler and Emmylou Harris before a sold-out crowd at the Gibson Amphitheatre on June 28th, 2006. More from Emmylou and Mark Knopfler


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Wrecking Ball Review

Wrecking Ball
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The main thing that has always been interesting about Emmylou Harris is her choice of material. She has written and co-written some good songs ("Boulder To Birmingham", for example), but succeeds primarily as an interpreter. This album can be singled out not only for its interpretive qualities, but for the incredible atmosphere created by producer Daniel Lanois. The recording has a similar dark, introspective ambience familiar from Lanois' work with Bob Dylan, and it works wonderfully with these songs.
There are no weak track on the disc. High quality songs by Neil Young and Bob Dylan ("Every Grain of Sand") are here along with lesser known gems by Lucinda Williams ("Sweet Old World") and Steve Earle ("Goodbye"). However, for this listener, the songs penned by Lanois himself are the real high points. All three are unforgettable. "Deeper Well", a collaboration with Harris, will haunt the listener long after a single hearing. These songs are nothing short of brilliant and deserve to be known by all interested in any kind of contemporary music.
Many of the songwriters featured on this recording participate in the performances as well (Dylan, is of course absent, but it is hard to imagine his song being any better than it is here).
An indispensible CD.

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No Description AvailableNo Track Information AvailableMedia Type: CDArtist: HARRIS,EMMYLOUTitle: WRECKING BALLStreet Release Date: 09/26/1995

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Neil Young - Heart of Gold (2006) Review

Neil Young - Heart of Gold (2006)
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In the summer of '05, Neil Young, having just survived a close call with a brain aneurysm, performed two concerts at Nashville's famed Ryman Auditorium. Documented here, the concerts premiered Young's most recent, and critically acclaimed release, Prairie Wind, followed by many classics from the gentler compartment of his massive, magnificent catalog. From the opening interview snippets to the final scene of Neil Young alone on stage, Jonathan Demme, as one would expect, has created a masterpiece, a film suitable to its subject. No two-second ADD camera work here, this wonderful film was shot with the same grace, intelligence and intimacy as the music Young and his friends--including Emmylou Harris!--perform. I saw this film four times while it was in town, and now I can't wait for the DVD release. Don't miss this (literally) glowing tribute to one of rock/blues/folk/country's genuine icons.

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Academy-award winning director Jonathan Demme beautifully captures Rock & Roll Hall of Fame legend, Neil Young as he prepares and presents the performance of a lifetime with the help of his wife Peggi and friends country star Emmylou Harris, steel guitarist Ben Keith and more at Nashville’s Grand Ole Opry.

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