Showing posts with label tommy. Show all posts
Showing posts with label tommy. Show all posts

Uncensored: Motley Crue Review

Uncensored: Motley Crue
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If you are a big fan of the Crue and are wondering if you want this tape - my advice is go for it.
What you get: The whole program is 45 minutes in length which is partly filled by the five videos. The rest is very amusing staged footage shot after the Theatre of Pain tour and before recording Girls, Girls, Girls. Many of the images are used in the Crue's VH1 Behind The Music, so it will look familiar, but it is cool to see it without the dumb voice over. This isn't ground breaking stuff here but it is worth it to hear Tommy's story that begins with how he had to take a huge piss and to hear Vince's brief impression of the landlord who owned the place he, Nikki, and Tommy lived in and destroyed when the band first formed. Furthermore, you and your fellow Crue Heads can spend endless hours debating what is real and what is staged.
However, do not pay more than 20 bucks for this thing. I paid $13 or so. I'm pleased with my purchase, but there is not a whole lot here (especially if you already own the Greatest Videos DVD) and we all hate paying too much and getting too little.

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The Who - Tommy and Quadrophenia Live (2005) Review

The Who - Tommy and Quadrophenia Live (2005)
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In my lifetime - hell, probably in ALL time - no band has come out of retirement more often than the Who. After Keith Moon's death, it appeared to be over, until Kenny Jones filled the drum slot for a few years. Bandleader songwriter/guitarist Pete Townshend had developing doubts that the Who were still the proper outlet for his songwriting, and in the late `80s, the band announced its dissolution, punctuated with a `farewell tour'. Anyone who attended any of those shows believing that it would be the band's last hurrah - as advertised - might be somewhat bitter about the experience now. Since then, the Who have been revived more often than patients in a cardiac ward.
Both performances featured on this DVD set are taken from tours posthumous to the band's breakup, so it is understandable if more than a few fans are cynical about this package, but the truth is that it is better than they might expect. Granted, this isn't the classic Who (they ceased to exist with the death of Keith Moon in 1978), but it is classic Who material, and most of it is performed quite brilliantly here. The performance of `Tommy' takes place in Los Angeles in 1989 and at the time, it was quite a special event. A star-studded affair, with guests ranging from Billy Idol, Phil Collins, Patti LaBelle, Steve Winwood and Elton John, the entire performance was televised live. At the time I was ready, and I taped the entire performance on my Sony Betamax (which was dated even then!). I thought the performance was absolutely excellent, and I still have that copy today, although this well-produced DVD makes it even more obsolete than it already has been. The band (which is aided by a plethora of additional musicians, with special praise due to drummer Simon Phillips) is nearly flawless, with the only `unfortunate' thing being the `80s fashion sense (Townshend with a pony-tail?), but who really cares about that now anyway?
The `Quadrophenia' disk is from a later date, compiled from the "Quadrophenia' tour of 1996-97. Coincidentally, I was also familiar with this piece of history, having seen the show at New York's Madison Square Garden. At the time, I was a bit disappointed. "Quadrophenia' is my favorite Who album, and the band performed more than admirably enough (special credit to drummer Zak Starkey), but the film footage that allegedly `connected' the songs did more to damage the rock and roll energy than to aid the story. Furthermore, the special guests detracted from the performance, with Billy Idol and PJ Proby making somewhat embarrassing cameo appearances. On DVD, though, the clever editing resolves the problem as I remembered it, and the pace is consistent.
Perhaps the best feature of this DVD is the special commentary from Pete Townshend and Roger Daltrey. By choosing a second `camera angle', they both appear onscreen, hovering over the concert footage like disembodied spirits. They speak candidly about the details of each event, and getting their insight and perspective while watching the concert is priceless. A third disk contains all of the `encore' footage from both shows, making this a well-rounded package of the band's latter-day performances, as well as an excellent documentary on one of the world's most important rock and roll bands.A-Tom Ryan

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Rhino Records is proud to present a 3-DVD boxed set showcasing one of the greatest live bands ever-The Who. Disc one features a live rendition of their full-blown rock opera about a deaf, dumb, and blind boy. Tommy was performed live in 1989 at The Universal Amphitheatre in Los Angeles, with special guests Elton John, Phil Collins, Billy Idol, Patti LaBelle, and Steve Winwood. Disc two contains the band's second rock opus, this time built around the story of a young mod's struggle to come of age in the mid-60s. This live version of Quadrophenia, from the 1996/1997 U.S. Tour was the first time it was performed as Townshend and Daltrey had visualized it, with live action and featuring a then-unknown Alex Langdon in a spellbinding performance as Jimmy, the disillusioned Mod.

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Live At Leeds Review

Live At Leeds
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The Feb 14, 1970 Leeds show which provided The Who with their
first official live album is widely regarded by collectors
as not only one of the group's finest-ever shows, but one of the
greatest live shows in rock history. The original album included
only 35 minutes of the 120 minute show, and was still one of the greatest live albums ever; in 1995 that length was
more than doubled for the CD remaster, but the "Tommy" portion remained in the vaults. Fans had to be content with the bootleg "Leeds Complete" in order to hear the whole thing, until now. Whether or not the piecemeal way the concert has been
released over the years is a cynical MCA ploy or not, now that
we finally have the whole thing, the show can finally be heard
in all of its awesome power and glory.
One of the reasons "Leeds" is prized among Who collectors is
that it is one of the best-recorded; the mix is superbly
equalized among all three instruments and Daltrey's vocals, and Townshend's guitar sounds especially full-bodied and wet. The performance is one of the tightest and note-perfect of that
period--without losing any of its heat or raw power--and the
audience is amazingly quiet and respectful, which almost gives
the show a "live in the studio" quality. A comparison with
"Live At The Isle Of Wight", the only other complete Moon-era
performance of "Tommy", is in order: although both shows are extraordinary, "Leeds" is superior for the above
reasons (although "Wight" offers arguably better versions of "Young Man Blues" and "We're Not Gonna Take It/See Me Feel Me").
For all of its dozens of incarnations, there is no doubt that
the best version of "Tommy" was when the band originally performed it live in '69-'70; the volcanic fire which erupts
from the group during "Sparks", "Pinball Wizard" and "See Me Feel Me" approaches levels of nirvana not known on the comparatively tame studio record, campy '75 film or horrifyingly
conservative Broadway version. And "Tommy" isn't even the highlight of the show--when the group pull all their muscle
together for "Shakin' All Over", "My Generation" and "Magic Bus"
at the end, the energy released is beyond cathartic. Oh yes,
this new 'deluxe' reissue also contains an expanded booklet
with more photos, liners, etc. So, it took 31 years, but one of the greatest live shows ever is now available in its entirety.
Now that we have "Wight" and "Leeds", how about Woodstock?
(NOTE: although the CD says that "crackling noises have been corrected", one can still hear a little bit of crackle from the worn tapes during "Tommy", esp towards the end--otherwise, the remix is superb).

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Japanese-only SHM-CD (Super High Material CD) pressing of this classic rock album.SHM-CDs can be played on any audio player and delivers unbelievably high-quality sound. You won't believe it's the same CD! Universal. 2008.

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