Showing posts with label timbaland. Show all posts
Showing posts with label timbaland. Show all posts

Justin Timberlake: Futuresex/Loveshow Live from Madison Square Garden (2007) Review

Justin Timberlake:  Futuresex/Loveshow Live from Madison Square Garden (2007)
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Whenever one of these young superstars comes shooting to the skies almost from one day to the next, one must inevitably ask oneself whether it's just all hype, or they are actually worth the fuzz. I have myself had a casual acquiantance with Justin Timberlake's music for the last couple of years - after all, anybody who does watch MTV just once every year will have stumbled into hits like Rock Your Body, Cry Me A River, Sexyback or What Goes Around (Comes Around) - and so, when Justin stopped by Copenhagen this year, to play for a whooping 54.000 people, I decided to give it a try, just to see what it was all about. And I must admit that back then, I was quite blown away. Not that everything was perfect on that occasion, but he just delivered a show that left no doubt that this was a power to reckon with, in showbiz and in music.
Therefore, when this DVD was announced, I decided to give it ago - to relive what was a great night of fun and music, and to see whether it could stand the test of return to subject. And I must say that overall, this does stand very well the test of time, at least so far. Again, it's not perfect, but it's pretty damn good, and more important, it's a very honest release.
The DVD opens with an interview section with Justin and band, which seagues into opening sequence and title track FutureSex/LoveSounds off latest CD - which also happened to be one of the strongest moments on the CD, and I must say that here perhaps the show falls slightly flat. I will emphasize and give credit to the fact that the songs are not just reproductions of the album tracks, they are fully interpreted in terms of being played live, and this quite stripped down version of the track perhaps falls somewhat short on the vocal part. I would like more presence of Timberlake in the song - large parts are delivered only by the multi-member back-up team, which is a bit of a shame. The same is true for second cut Like I Love You, and although both performances have all the groove one would expect of cuts as solid as these, the DVD does not come off on the best footing in my oppinion.
From third cut, My Love, Justin starts to step more into character, but I'll say his voice really starts to shine from Señorita and Sexy Ladies and onwards. It is evident that Timberlake doesn't have the strongest voice in the bussiness - one could argue that his voice is capable, but nothing more than that - but I will say that he does get the best of what he has got, which is sometimes as important as being talented when it comes down to showmanship. The vocal arrangement leans heavily on the backing section, but Timberlake does more than just lip-synch, and I appreciate the fact that whenever he sings, he sings genuinely live, and once he's started does that better than what I would have expected - and he certainly proves that his smooth falsetto is not just a studio-infused feature. Also one should add that he does a lot of movement on stage - dancing, and running (more about this later!), which naturally takes focus away from the vocal - not necessarily a good trade-off in my oppinion, but I guess that's part of the show, take it or leave it.
The tempo is decreased with the unset of ballad Until The End Of The World from the resent album - not my favorite cut of the record, but Justin does a blistering performance here, which is probably why this track has also been released as live video to promote the DVD release on music TV stations. Next up, however, is major smash hit What Goes Around (Comes Around), which clocks in at a whooping 10 minutes and is one of the absolute highlights of the concert. This is one of the great examples of how they rework the songs in the live setting: The song opens with a beautiful piano intro (the man himself at work here), and I must emphasize here the great sound on this release, which retains the full dynamic range of the music as it was played: The piano section opens quietly, and then halfway through drums, keyboard and guitar sets in to form a roaring crescendo. Amazing, and the song has not even kicked in yet. The song proper is pretty faithful to the album version, which is not a bad thing at all, but also adds a much rougher edge with more dominant guitars, and I must admit that this particular track really wow's me. The final cut before the intermission is the funky Chop Me Up, where Justin is joined on stage by name-sake Timbaland, producer, songwriter et al.
Blissfully cut out from this feature is the overly long and self-indulgant Timbaland-tribute-DJ-section featured in the interlude. This was both overly long and bordering on embarrasing, so I whole-heartedly support its omision. Instead we get a short interview with the two Timbers, before going into the opener of second set, Rock Your Body. I should mention here ther generally very well-structured set, which is a deffinite pro of this concert: Ballance is very well retained between old hits, new hits, and new unknown tracks, and the music flows very well, sometimes uninterrupted, from one track to the next.
The major weakness of this tour, however, is also displayed in this next part: With only two albums in his catalogue, Timberlake has only a limited number of songs to pick between, the next handful of tracks therefore moves far into what I consider banalities: The acoustic medley featuring a couple of N-Sync songs (Gone, Take It From Here, Last Night) is downright boring, whereas the dull Damn Girl from the new album is presented in an overly long version, complete with semi-naked girls which does nothing for Timberlakes musical credibility.
Things turn better, however, with the groovy ballad Summer Love and the almost gospel-like Losing My Way - one of my odd favorites from the recent album, here delivered as a sing-along over playback choir which I think is a wise choice, as the gospel singers form an important back-droping to Justin's fragile voice here. Speaking of back-droppings, I should also mention the ingenious scene-design here: Scene is placed in-the-round, i.e. audience is all around the stage. To solve this problem, semi-transparent fabrics are lowered at different parts around the stage, and works at the same time as giant screens for those who cannot see the man (because of distance, or simply because he's on the other side of stage!) and at the same time as emphasize of the light show. In this particular track, Justin is surrounded on all sides by images of the gospel singers, thus hiding him almost completely from the audience, and vice-versa, making a nice reference to the song catch line "Is anybody out there?". I should also say that Justin does an admirable job in moving around the stage, getting out to all parts of the audience, something which is not a small feat in a venue of this size with a 4-sided stage.
The final part of the set consist of a safe pick of major hits, and nothing to complain about here: Firstly, a surprisingly gritty delivery of Cry Me A River (no mention of Britney here!), this seagues into the funky Lovestoned / I Think That She Knows, which again seagues into a surprisingly gritty, at times almost sonically dirty version of Sexyback. Again I must compliment the man for his courage to rework his own songs, even if they are still true to the album versions, the live versions deffinitely has a character of their own, making this release worth having not only for the visiuals. Indeed, I'm somewhat surprised the package does not come with a CD with selected cuts, like similar releases from other artist (I will take the liberty to recommend Kylie's Fever Tour CD/DVD release and Madonna's Confessions Tour CD/DVD releases, both excellent releases).
A bit surprising for me, when I saw the show in Copenhagen, was the choice for encore, (Another Song) All Over Again. This song never did much for me on the album, but the intimate setting here, with Justin sitting alone at the piano, was amazingly strong, forming a nice contrast to the loud inferno of Sexyback. And the boy sings his heart out here! Since the concert here, this songs stands especially strong for me, and I must say it's a surprise highlight of the DVD, and brings the concert to a worthy conclusion.OVERALL RATING 8/10
Final Comments:
Considering that the man only has two CDs in his bag, this offers both a very satisfactory overview of his career and a surprisingly robust selection of tracks - even though some of them could have been left out, had one had more material to pick from (Sexy Ladies, Damn Girl, and the acoustic medley comes to mind).
Technically, this is a pleasing release. Sound is perfect, and picture is great - and the editing is not too jumpy, as is often the case in concert movies. I could have gone without the cut-ins of interview snippets or comments a couple of places, but overall nothing really compromising.
On the bottom line, I must say that with this, Justin seems to emphasize that he is indeed a name to be taken seriously in the music bussiness. He might not be the worlds best singer, but as an entertainer, he's on the top.

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Item Name: Futuresex / Loveshow - Live from Madison Square Garden; Studio:Jive

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Loose (Bonus CD) Review

Loose (Bonus CD)
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First off im not a kid, I just dont have an account.
Second off I did not pay 33.99 for this cd, I got it for 13.99 at zellers.
Yes, the special edition at zellers for 13.99.
And the cd is not in a blue case, the cd is in a slip in case, which is the blue one. But when you slip the cd out of the cover its the normal red one.
Ok well heres my review.
I was never to fond of Nelly until I heard Maneater. Even though I own both of her past disks. I never really liked her first cd 2 much, and I really disliked the 2nd. But then something happend to our Nelly. She came back with this never before heard sound. I bought Loose the same day I heard Maneater. I loved the cd alot.
Anyways I was walking through the cd section at Zellers when I saw this disk. I looked at the price. 13.99. I really didn't even think about it for a second. I tokk 1 look at the back, and next thing I knew I was at the checkout. This re-made version of Loose contains 4 new songs.
-Let my hair donw
-Somebody to love
-Undercover
-Runaway
And 2 remixes
-All good things
-No Hay Igual
And 3 live songs.
-Crazy (a slower version, but does it better then Knarles Barkley)
-Maneater
-Promiscuous
Overall Im very glad to have bought this disk. I wouldn't pay 33 bucks for it, but if you ever come across it in a store for cheaper. Pick it up. Cause its Limited Edition.
Anyways, I love the disk, Love the bonus songs and remixes.
Live songs are great. So my review is 4.5/5.
And it deserves it!

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Hard Candy Special Edition Review

Hard Candy Special Edition
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SUMMARY: Madonna's final album for Warner Brothers is by no means her best, but it's a fitting swan song for the artist who anchored the label for the past quarter-century. A lot of the reviews for this album are missing the mark, either overzealous in its defense, or obtusely critical in the hope of shining the spotlight on another artist. 'Hard Candy' is a mixed bag of true gems and questionable choices, but it's quintessentially Madonna.
WHY YOU'LL LOVE IT: When Madonna hits the mark, no one does it better, and even her detractors would be hard-pressed to name another artist of her caliber. Despite what others have said, no two Madonna albums are the same, which is why she has remained one of the most relevant artists in the past twenty-five years. While a few of the songs here are reminiscent of earlier works (in a good way), they're also very much current and a part of her ever-evolving musicality. 'Hard Candy' is thus at once an homage and a contemporary statement. There's no shortage of danceable material here, and few artists are willing to take the chances in which Madonna revels.
WHY YOU WON'T: Several of the tracks are overproduced, and Madonna's vocals are all but lost in their delivery. Noticeably absent is the vocal maturation she has consistently displayed since Evita. Her voice is high and thin - as it was in the early days, and which is unfortunately drawing comparisons to Britney Spears (who really is nothing more but a poorly-conceived clone) - but she mostly makes it work for these tracks. 'Candy Shop' is truly an abysmal song, despite its irony, and was a poor choice to open the album. The less said about '4 Minutes', the better, but don't make the mistake of judging the entire CD by its lead single - the whole of 'Hard Candy' has a distinctly different flavor than this disposable track.
BOTTOM LINE: Madonna is not interested in repeating herself, so fans who are expecting 'Confessions II' will be vastly disappointed. Many are proclaiming that Madonna is simply reproducing the recent efforts of the bevy of pop songstresses (Mariah, Britney, Christina, Nelly, Gwen, etc.) currently populating the landscape. Not true. She was here long before them and, in the cases of many of them, will be here long after they fade away; it is they who owe a debt to her. Those who understand Madonna, however, and who get her sense of humor, her irony, her deliberateness, and who know enough to look beneath the deceptively simple lyrics, will be pleased to add this to their collection. Standout tracks include 'Heartbeat' (which should be the next single), 'Miles Away', 'She's Not Me', and 'Devil Wouldn't Recognize You'.

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It is a DVD-sized hinged box containing the CD (with 2 extra remix tracks), a 16-page full-color booklet, and a package of Starlite Mint candies.The package is jewel case width, 8 inches tall, and 1 1/2 inch deep....has hard candy in the package.

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Loose Review

Loose
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This is my first Nelly Furtado and I love it! I've followed her career but I've never bought her two previous cds. This cd is perfect for when you're just in the mood to dance and don't care what anyone thinks.
1.Afraid-I love this song. It's a great song to start the cd off and I love the chorus. 5/5
2.Maneater-I saw Nelly perform this on SNL and it was awesome. I really like the end of the song. I got the Target edition of "Loose" that has the Maneater music video on it and I can tell this song is going to do really well. It's an ode to those man-eaters out there. 5/5
3.Promiscuous-it's the hit single that is everywhere. This song is so good and my favorite on the cd. 5/5
4.Glow-I like this track but not as much as the first three tracks on the cd. I have a feeling this song is going to grow on me though. The sound is like the dance tempo on the first 3 song. 4/5
5.Showtime-this is the first slower tempo song on the cd. It's pretty good song and good one to either wind down on a night out or to take a breather. 5/5
6.No hay igual-this song picks up the tempo. It kind of reminds me of a Shakira type of song. But it's very good and it's in Spanish. 5/5
7.Te Busque-the second slower tempo song on the disc. I like it a lot, especially the chorus. 5/5
8.Say it right-Love, love it, love it. The beat is unbelievable. I know it's going to be one of my favorites. 5/5
9.Do it-Another dance song. It's very cool and it kind of reminds me of a 80's song a bit. 5/5
10. In God's hands-a very sweet ballad. The song is just great. 5/5
11. Wait for you-this song has Middle Eastern sound to it. It's not one of my favorites so far on the cd but it's not bad. 4/5
12.All good things(come to an end)- Oh gosh, I love this song! It's down tempo and I really love the lyrics. Nelly sounds really sweet. 5/5
13. Te Busque(Spanish version)-this version is just as good as the English version. 5/5
I am so glad I bought this cd. I know it's going to be in my cd player a lot. So if you're new to Nelly-like me- and like the song Promiscuous or a huge fan who has followed her for years this cd is a must.

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In preparation for her new album, Loose, NELLY FURTADO tried out collaborations with a who's who of producers, and she tried to create a music more of the body than the mind. A prime example of the latter is first single "PROMISCUOUS," a duet with Loose producer TIMBALAND, known far and wide for his groundbreaking work with, among others, MISSY ELLIOTT, JUSTIN TIMBERLAKE and AALIYAH. It stands to reason that gold and multiplatinum certifications (for 2003's Folklore and 2000's Whoa, Nelly!, respectively), a pair of Top 10 singles ("I'm Like a Bird" and "Turn Off the Light"), and a Grammy Award (for Best Female Pop Vocal Performance), to name just a few accomplishments, would afford a certain level of confidence. But nothing has inspired Furtado to throw caution to the wind more than motherhood. "Motherhood makes you fearless," she says. "The album is very youthful-sounding," Furtado continues, "and I think that's partly due to the presence of this two-year-old in my life. I was with her all day every day and then I'd go to the studio at night, and I think that translated into a playful energy I feel onstage but that hasn't really been heard on my records." Starting with her longtime production team of Track & Field, she also knew she wanted to check out a variety of producers. "Working with new producers," she hazards, "is like trying on new clothes - you never know what you look good in until you try it on. And sometimes they will see something in you that neither you nor anyone else could see." So she traveled with her daughter from Toronto to London to work with NELLEE HOOPER; to Los Angeles to work with LESTER MENDEZ (who produced, "Te Busque," her moving duet with JUANES) and RICK NOWELS (co-writer and producer of the gorgeous ballad "In God's Hands"); and to Miami to work with PHARRELL WILLIAMS and SCOTT STORCH and finally, TIMBALAND. Indeed, the raw, lighting-in-a-bottle spontaneity of the collaborative process is at the heart of Loose. "This record shows who I am in a jam-type environment, where I really feel the excitement of the creativity flowing," Furtado reveals. "It's who I am at my most artistic. I live for that, and I'm very grateful to be able to share it."

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