Average Reviews:
(More customer reviews)Another huge PT fan here, I have been counting the days until this album arrived on my doorstep and I like it. I like it a lot. It's everything a fan would ask for, like a kitchen sink chock full of PT. But I can't say that this album grabs me and shakes me and won't let me go like their other albums. I am listening to it nonstop, and some songs are very good--right now I truly love "I Drive the Hearse", "Black Dahlia" and "The Incident".
I don't know if that is because this is not a great PT album, or just that I have become too familiar with their sound. Maybe I need more time with it, not less--but I have the feeling that more time will just uncover more familiarity and that is possibly what is keeping me from raving about it.
ETA: After listening to this album for the past several weeks, I think I understand what the problem is for me. From the first track all the way until "Time Flies", I love this album as much as anything else I have heard by PT. But from "Time Flies" (which I just don't like, I have tried to no avail) up until the start of "I Drive the Hearse", which is the last track on Disc 1, I am gone mentally and emotionally, and nothing can keep me there. Then once "I Drive the Hearse " starts up, I love this album again all the way through the end of Disc 2. That's just me, though--other reviewers here love the songs during the stretch that loses me.
ETA: I need to stop editing this review, but I have to add one more thing, about PT in general. I am over forty, about to be forty five, in fact. I live in a suburb, I have two kids, a husband, a mortgage, a cat and a Subaru. In short, I am as far away from young and cool as you can get--I am not even old and cool yet. And that is fine, but one thing I used to mourn was the fact that I probably would never love a band the way I did the Beatles as a kid, or the Clash in high school, or Nirvana--you know, that electrified connective sense of discovery that you get. At some point for a lot of people, you realize you have crossed over and suddenly there is "the kid's music" and "your music", and while you might truly enjoy "the kid's" music, nothing seems to sound as brain-grabbingly amazing as the music from your youth. Well, I discovered PT about two years ago, and they brought back that kind of rush about music that I missed. They really are that good, deep, and enthralling to listen to.
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2009 two CD release from the Grammy-nominated modern Progressive Rock band. Porcupine Tree is fronted by Steven Wilson, who also is well-known for his work producing other artists, from Swedish Progressive Metal group Opeth, to Norwegian chanteuse Anja Garbarek. One of the only constants in Porcupine Tree's music is how it continues to evolve and confront the expectations of the band's fans from album to album. The Incident is their 10th studio album and takes the listener on a thrilling audio journey. In turns haunting, desolate, hypnotic and euphoric, its centre-piece is the title track: a stunning 55-minute musical statement that breaks down into 14 separate and often diverse (though interlinked) vignettes.
