Showing posts with label muddy waters. Show all posts
Showing posts with label muddy waters. Show all posts

London Sessions Review

London Sessions
Average Reviews:

(More customer reviews)
Some of the reviews here are waaay too generous, so don't get your hopes up about the quality of this album. One reviewer refers to it as the best blues album of all time: Heck, I can name 10 or 12 other MUDDY WATERS albums that has this beat hands down! Muddy's vocals sound tired, the material is sub-par, and the band isn't particularly good, although Rory Gallagher gets off a few good solos. The organ playing is horrid--and absolutely unnecessary. The album cover art gives a pretty good indication that this wasn't a very serious Muddy Waters blues album. You can steer clear of this one, unless you have all of Muddy's classic stuff and are interested in hearing him on an "off-night."

Click Here to see more reviews about: London Sessions



Buy Now

Click here for more information about London Sessions

Muddy "Mississippi" Waters Live Review

Muddy Mississippi Waters Live
Average Reviews:

(More customer reviews)
If you like the blues at all, you'll be absolutely blown away by this live performance. Just the first 15 seconds thrill: Muddy Waters' deep deep vocal tones with an abrupt break to the familiar guitar/drums/bass/harp riff of his classic, "Mannish Boy." (And that's not even the best song on the CD.)
The audience is totally into it, both on this song and the entire album--screaming, yelling, whistling, shouting--making this almost as exciting as "James Brown at the Apollo," and certainly among the best live blues ever recorded. The sound quality is excellent, credit the mix to Dave Still at "The Schoolhouse and Hit Factory."
The group is unbelievably talented and plays with great empathy: Muddy Waters on vocals and guitar, "Pine Top" Perkins (piano), James Cotton (harp), additional guitar from Johnny Winter, Luther "Guitar Jr." Johnson, and many others. I don't hear any softening of Muddy Waters' voice; he is as authoritative, soulful, and unique as ever. Muddy Waters set a very high (probably unsurpassed) standard for anyone who followed. It's sheer delight to hear his inventive singing and slide guitar so well recorded and backed.

Perhaps the most memorable concert I ever attended was a late 1970's performance at the Roxy in L.A. As Muddy Waters walked up to the stage, I felt a sense of transcendentalism, as if History were climbing the stairs. And then he tore the roof off. Although only about 40 minutes long (and with notes limited to personnel descriptions), the music on this CD recaptured some of that experience for me.
Along with "Mannish Boy" and the great "She's Nineteen Years Old," other Morganfield compositions (there's one number written by Sonny Boy Williamson) include "Streamline Woman," "Baby Please Don't Go," "Howling Wolf," and "Deep Down in Florida." 'Wolf' features Waters' bee-stingingly intense slide guitar, one that can righteously cut through the thickest, meanest heart and soul. With just a few perfectly played notes, Waters' slide guitar dredges buckets of emotion. "Gainesville'--perhaps the best song here ("Yeah I believe I'll go back to Gainesville...just to see an old friend of mine.")--has amazing solos by "Pine Top" Perkins, Johnny Winter, and James Cotton, who blows some of the purest and most stirring harp notes in blues.
This is the liturgy of the blues, the thick ooze of the traditional and the familiar wrapped with enough personal style to uncover new emotion. Powerful, raw, and spine tingling, this is the blues as only McKinley "Muddy Waters" Morganfield could play it.

Click Here to see more reviews about: Muddy "Mississippi" Waters Live

Muddy "Mississippi" Waters Live -Muddy Waters
This product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.


Buy Now

Click here for more information about Muddy "Mississippi" Waters Live

Flashpoint (Reis) Review

Flashpoint (Reis)
Average Reviews:

(More customer reviews)
Flashpoint was released Feb 2, 1991. It was recorded on the Steel Wheels (American) and Urban Jungle (European) tours during 1989-90. It was their 6th live album (the most recent had been 10 years earlier - Still Life). The tracks on the album were actually recorded as follows:
.....11-25-89 Jacksonville
.....11-26-89 Clemson SC
.....12-19-89 Atlantic City
.....2-26/27-90 Toyko
.....6-14-90 Barcelona
.....7-6-90 Wembley (also filmed for the IMAX film and their 1st DVD release)
There was a special quad gatefold edition of the album (which is now out of print) that included a 2nd disc (titled Collectibles) of rare, extended version, or dance mix tracks previously released only on 12" vinyl singles or as B sides.
Many reviewers consider this either their best live album or the 2nd best (after the 1970 release Get Your Ya Ya's Out). The album includes the UK single Highwire and the US single Sex Drive, both of which are studio tracks added to the live tracks from the tour. In addition it has the live version of Ruby Tuesday that was released as a CD single in the UK along with Play With Fire, You Can't Always Get What You Want, and Undercover Of The Night (all live versions from the album). Flashpoint also includes what many people think is the best version they ever did of Little Red Rooster (it features Eric Clapton on lead). Most people know the music, so in my reviews I try to give you data on the sessions and interesting facts connected with the songs and the album. Here we go:
Interesting notes include:
.....the 115th show of the combined Steel Wheels and Urban Jungle tours at Wembly Stadium in London was the last live performance with Bill Wyman (it was filmed on IMAX cameras and is available as the DVD The Rolling Stones Live at the MAX)
.....the Steel Wheels tour set a new American attendance record of 3.4 million, they sold out 10 shows in Tokyo, and the Urban Jungle tour included their 1st shows in East Germany and Czechoslovakia where a ticket was recognized as a one day passport for Hungarians and Poles...the combined tours grossed $200 million
.....the first show of the tour (at JFK Stadium in Philadelphia) was loud enough they blew a generator (causing 3 minutes of silence in the middle of Shattered)....they dropped the song from the setlist for the remainder of the tour
.....this was the first gargantuan stage tour....Steel Wheels featured blow up bimbos (named Angie and Ruby) during Honky Tonk Women and a diversionary lightning effect while Mick rode an elevator 8 stories up to a high stage where he sang Sympathy in a hellishly lighted cloud of smoke (because there were already so many live versions of these two songs on other albums, neither made it to the CD releases)....Urban Jungle featured two rabid canines (with erections) to go with the recently released single Terrifying.
This information comes from "It's Only Rock And Roll: The Ultimate Guide To The Rolling Stones" by Karnbach and Bernson and from my own collection, with some of the notes from Davis' "Old Gods Almost Dead." Both books are available from amazon.com.

Click Here to see more reviews about: Flashpoint (Reis)



Buy Now

Click here for more information about Flashpoint (Reis)

Breakin It Up: Breakin It Down Review

Breakin It Up: Breakin It Down
Average Reviews:

(More customer reviews)
Muddy Waters' work on Chess Records from the late 1940s to the early 1970s is truly amazing. He was the most powerful blues artist and one of the best songwriters. Many fans think he was in decline in the mid-1970s when "Breakin' It Up, Breakin' It Down" was recorded. This concert document should dispel those thoughts. It might have taken Muddy longer to build up a head of steam, but when he got rollin', he was as "mannish" as ever. With old pal James Cotton blowing away on harp and Johnny Winter (who ignited Muddy's revival by producing his later records on Blue Sky Records) as his co-stars on the 1977 tour, Muddy was pushed to the heights he regularly reached in his 1950s and 1960s heyday ("Pinetop" Perkins on piano, and Bob Margolin on guitar also shine). The live version of "Can't be Satisfied" - the second cut on the disc - is as strong as any live recording in his career. I saw this band at Constitution Hall in Washington, D.C. and the three stars were on fire and having a whale of a time. When I bought "Breakin' It Up, Breakin' It Down," I thought, "there is no way this recording will be as good as I remember the show." But not to worry, it's all here and hearing it again made me smile at the memories of Muddy, James, and Johnny pouring out electric blues. A rousing "Got My Mojo Working" (the encore) finishes things up nicely. Someone once said, "In Muddy Waters' hands 'the blues' is a misnomer."

Click Here to see more reviews about: Breakin It Up: Breakin It Down



Buy Now

Click here for more information about Breakin It Up: Breakin It Down

The American Folk Blues Festival 1962-1966, Vol. 1 (1962) Review

The American Folk Blues Festival 1962-1966, Vol. 1 (1962)
Average Reviews:

(More customer reviews)
Miraculously unearthed and licensed by Reelinintheyears and released through Experience Hendrix, the 3-hours featuring 36 performances by 24 artists are the real thing filmed at the peak of many of their careers. Filmed in a Baden-Baden Germany studio with sets designed to reflect the realities of the urban blues, the sound and B&W footage is amazing. Imagine seeing Muddy Waters, Howlin' Wolf, Sonny Boy Williamson, Lightnin' Hopkins, T-Bone Walker, John Lee Hooker, Big Mama Thornton, Lonnie Johnson, Big Walter, otis Rush, Otis Spann, blues brother Matt "Guitar" Murphy (as exciting as he is today) and others (with 1969 bonus footage of legends Magic Sam and Earl Hooker) in your living room.
Watch closely Sonny Boy's virtuoso "Bye Bye Bird," "Mojo" with Sonny Boy and Muddy, a five-harp jam with Big Mama, John Lee, Big Walter, J. B. Lenoir and Dr. Ross, and the magic of Lightnin' Hopkins doing "Mojo Hand" and laying out enough hot guitar licks in one song to fuel a rocker's whole career.
Hip-O has released a highlights CD but these two DVDs must be seen to believe. These are the performances that American audiences have never seen since they were filmed but which inspired the Rolling Stones, John Mayall, Ten Years After, Yardbirds, Animals, Van Morrison, Ten Years After and so many of the British blues-rockers.
This was no small event. These artists played the finest concert halls of Europe, stayed in the best hotels, and ate in the best restaurants finding a deep respect they never lived to see in America. Their performances show it. Some didn't want to leave. Sonny Boy Williamson stayed on for over a year after the 1963 festival appearing in clubs and on numerous TV shows and recording with the Yardbirds, Animals, Jimmy Page, jazzman Chris Barber and even Rahsaan Roland Kirk.
As talent scout Willie Dixon said, "The blues are the roots; the rest are the fruits." These are the roots and the British Invasion were only the first blossoming of the fruits. Miss these DVDs at your own risk.
Bill Donoghue AKA 'fessor Mojo,

Click Here to see more reviews about: The American Folk Blues Festival 1962-1966, Vol. 1 (1962)

Reelin’ In The Years Productions, in association with Experience Hendrix,bring you the American Folk Blues Festival 1962-1966 Volumes One & Two. TheAFBF was an annual event that featured the cream of American blues musicians barnstorming their way across western Europe every fall from 1962through 1966. Recorded live in a small TV studio in Germany, these historicand unseen performances have been lost for nearly 40 years. Filmed withsuperb camera work and pristine sound, each DVD contains 18 completeperformances from the greatest blues musicians of all time. Captured duringtheir heyday in an era of scant video documentation, these DVDs are trulyone of the most unique and precious visual documents of the blues.The American Folk Blues Festivals featured a dazzling array of talent thatincluded such greats as Muddy Waters, Howlin’ Wolf, Willie Dixon, John LeeHooker and Sonny Boy Williamson playing alongside other legends such asT-Bone Walker, Lightnin’ Hopkins, Mississippi Fred McDowell, Memphis Slim and Big Mama Thornton to create the most significant group of blues artistsever assembled!

Buy Now

Click here for more information about The American Folk Blues Festival 1962-1966, Vol. 1 (1962)

The American Folk Blues Festival 1962-1969, Vol. 3 (1969) Review

The American Folk Blues Festival 1962-1969, Vol. 3 (1969)
Average Reviews:

(More customer reviews)
I have been collecting the audio discs of "The American Folk Blues Festival" for many years with great anticipation that the mythic video documents would someday be released. Happily those and some new performances are included on this DVD output along with the others in the series. The performances are absolute gems. This disc is a mix of studio and live performances that are so great they bring a tear of joy to my eye. Most of the performers were so rarely filmed that it is a real delight to see them perform. The set list is identified above, but it is worthy of note that the musicians backing up the "A" list track artists are a who's who of blues legends.
I can't pick a favorite cut as they are all wonderful, but to see Otis Rush backing Big Joe Turner, or the ultra rare filmed appearance of Little Walter blowing harp for Hound Dog Taylor (four years before Hound Dog's stellar Alligator debut incidentally), or Buddy Guy's super cool reading of "Out Of Site", or the main man, T-Bone Walker, backing Helen Humes, etc. is a treat beyond explanation. The amazing Earl Hooker and Muddy Waters are bonus track features with Paul Oscher making a very cool appearance on "Got My Mojo Working." Run time is about an hour on this disc.
If you are a fan of music, especially blues, then you need this three volume DVD set, now.


Click Here to see more reviews about: The American Folk Blues Festival 1962-1969, Vol. 3 (1969)

Tracklistings 1. BIG MAMA THORNTON- Hound Dog 2. ROOSEVELT SYKES- Gulfport Boogie 3. BUDDY GUY- Out Of Sight 4. DR. ISAIAH ROSS- Feel So Good 5. JOE TURNER- Flip, Flop & Fly 6. SKIP JAMES- All Night Long 7. SKIP JAMES- Crow Jane 8. BUKKA WHITE Got Sick & Tired 9. SON HOUSE Death Letter Blues 10. HOUND DOG TAYLOR Wild About You 11. KOKO TAYLOR Wang Dang Doodle 12. SONNY TERRY & BROWNIE McGHEE-Stranger Blues 12. SONNY TERRY & BROWNIE McGHEE- Burnt Child (Afraid of Fire) 14. SONNY TERRY & BROWNIE McGHEE-Gonna Move Across The River 15. HELEN HUMES- THe Blues Ain't Nothing' But A Women BONUS TRACKS: 16. EARL HOOKER- Earl's Boogie 17. MUDDY WATERS- Long Distance Call & 16. MUDDY WATERS-I Got My Mojo Working

Buy NowGet 10% OFF

Click here for more information about The American Folk Blues Festival 1962-1969, Vol. 3 (1969)

American Folk-Blues Festival: The British Tours 1963-1966 (2007) Review

American Folk-Blues Festival: The British Tours 1963-1966  (2007)
Average Reviews:

(More customer reviews)
This series originally came out during the Year Of The Blues (2003) and provided us with glimpses of the real originals in this genre. The first three volumes gave us a lot of wonderful clips of Wolf, Sonny Boy, Memphis Slim, Otis Rush, Muddy, T-Bone, Big Mamma, Lonnie Johnson and so on. The German settings were a bit sterile and often staged to look like a Juke or with strange back drops of urban America. This set, from 1963-1966, is more like a concert. And it's great!
The concert format with an appreciative audience is really fantastic and well done for the time. We see Sonny Boy Williamson in three performances with the harp in his mouth sideways and playing with his NOSE! He is cool, no wonder he taught Little Walter (whose only recorded performance is in Vol. 3 of this series!).We also see Hubert Sumlin play with Sonny Boy on his second offering in this show. He turns in one of his most unusual solos in "Getting Out Of Town"- very chromatic and almost jazzy! We see Muddy as a stand up singer (no guitar), on "Mojo" and in two bonus performances. He has Matt "Guitar" Murphy playing behind him on this one (who was playing with Memphis Slim at the time). There is a rare look at the great Lonnie Johnson, who plays by himself and shows us why he is one of the original inventors of the Urban Blues guitar style. Big Joe Williams gives us a close up view of his famous nine string guitar.
Lightnin' Hopkins plays his distinctive Texas-style acoustic blues, with a few tricks on the fretboard as well. Howlin' Wolf puts in, to me, his best ever filmed performance-it's worth the price of the whole thing!!! He does an update of "Smokestack Lightning" (without its famous riff) and "Don't Laugh At Me" in a "Killing Floor" groove, a song which had just been recorded. And we also see a young Hubert Sumlin playing with Wolf and also with Sugar Pie Desanto's female input (these shows always had at least one female performer).
Big Joe Turner does his usual big voiced thing and he has Otis Rush on lead guitar, it's a fantastic performance, one of the best insight's into Otis's guitar style we've seen. A bonus in this tune is that we see maybe the only existing footage of pianist Little Brother Montgomery who wrote "The First Time I met the Blues" and "I Can't Keep From Crying"-this is a rarity. Also scarce is film of drummer Fred Below, who gave the beat to Chess Records. Fred plays on this tune and in Junior Well's section.
Junior Wells is in his James Brown groove (he always did this! In Australia in 1991 when I saw him he led off with "I Feel Good"). He does Ray Charles'"What'D I Say" in a JB style, but we hear no harp! Sister Rosetta Tharpe, one of the first US Blues/Gospel acts to crack the UK, finishes the set with two of the bonus tracks. They are superb as is Muddy Waters' two bonus tracks staged and filmed at a railway station-very effective. His slide playing (standing up) is another extremely rare view of Muddy.
This is one of the most historic releases for urban blues yet available. The sound has been remixed by Eddie Kramer (of Jimi Hendrix fame) and Reelin' In The Years Productions have done it again! I hope they can find more of these rarities soon. We need the Fillmore Concerts that were on PBS in the late sixities. Get this for your Blues collection and check the price, what a bargain!

Click Here to see more reviews about: American Folk-Blues Festival: The British Tours 1963-1966 (2007)

AMERICAN FOLK BLUES FESTIVAL:BRITISH - DVD Movie

Buy NowGet 7% OFF

Click here for more information about American Folk-Blues Festival: The British Tours 1963-1966 (2007)