Showing posts with label dad. Show all posts
Showing posts with label dad. Show all posts

With Red Norvo Quintet - Live in Australia 1959 Review

With Red Norvo Quintet - Live in Australia 1959
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Too many evaluations of Sinatra focus on the persona and voice at the expense of the musican. In fact, the orchestral arrangements that Sinatra inspires are occasionally used to his discredit, as if to suggest that anyone could sound good singing to a Nelson Riddle arrangement. This rare album should make it clearer than ever that Sinatra's musicianship has no equal. His "internal metronome" almost unerringly places every note on the part of the beat where it's guaranteed to swing. In fact, on "Night and Day," in particular, he uses his voice as a jazz instrumentalist, trading phrases with Red Norvo's vibes. No listener can fail to catch who gets the best of the exchange (there's even an audible "smile" in Sinatra's voice when he upstages Norvo). This album may not belong in a Sinatra collector's top 3, but definitely in the top 10 if not 5 Sinatra treasures.

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Down From the Mountain: Live Concert Performances by the Artists & Musicians of O Brother, Where Art Thou? Review

Down From the Mountain: Live Concert Performances by the Artists and Musicians of O Brother, Where Art Thou
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I purchased this album the first week it was released becuase it featured three of my favorite artists, The Whites, Emmylou Harris, and Alison Krauss and I have found this album to be even BETTER than the O Brother Where Art Thou soundtrack! Emmylou Harris offers a fantastic version of 'Green Pastures' with Gillian Welch on harmony. The Whites perform an old tune 'Sandy Land' with Sharon White's amazing vocals on lead! Alison Kraus & Union station have two songs on the album, the first is 'Wild Bill Jones' with Krauss's band member Dan Tyminski on lead vocals, the second tune from Alison is her fantastic 'Blue & Lonesome'. Gillian Welch also presents two of her own tunes, with 'I Wanna Sing That Rock & Roll' being the better of the two. The album closes with Gillian & Alison's IBMA award winning 'I'll Fly Away'. The only disappointment on this album is the exclusion of bluegrass legend Ralph Stanley, who performed on the concert, and is on the video release of the concert. But all in all, this a fantastic album for the bluegrass lover!

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Ethnicity Review

Ethnicity
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I really enjoyed this cd. Yanni has kept to a similar grasp on composing, but with a different sound. Yanni, is a blessed musician in the fact that he has been very successful at keeping to his extremely vast span of creativity. I gave it 4 stars because I really do prefer his old sound, which brings me to another topic...
Others have recommended an artist named Mehdi as being similiar to Yanni. I found very little similarity but fell in love with the music. I picked up his new CD and it's awesome...Samples are at SoothingMusic.Com. Recommended !


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The Dance Review

The Dance
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It seems like every ten years Fleetwood Mac somehow finds their way into the spotlight. In 1977, they had the spotlight with the landmark album "Rumours". After the two follow-up albums to "Rumours" didn't quite measure up to the 1977 classic, Fleetwood Mac would take a five year hiatus. After that hiatus, the band would reunite for what was considered a moderately successful 'comeback' album called "Tango in the Night". It was following "Tango in the Night" that major changes would be in-store for the band. Right after the release of "Tango", guitarist and vocalist Lindsey Buckingham - a major creative force would depart from the group. Eventually Stevie Nicks and Christine McVie - the other 2/3 of the creative force in terms of songwriting and vocals would depart. By 1995, Fleetwood Mac with founders Mick Fleetwood and John McVie would still try to go on - this time they would bring in the likes of veteran rocker Dave Mason, but it was clear things were not the same.As 1997 approached, things started to swing upwards again. As told on this CD, Lindsey Buckingham asked Mick Fleetwood to play drums on an album we was working on. Eventually "one thing led to another" and the 5 core members (Buckingham, Nicks, Fleetwood, Christine and John McVie) were all back in the studio. This would eventually lead to some touring - thus in 1997, the live album "The Dance" was released.With live albums, they are often hit or miss, but this on this one - Mac hits on out of the park. Not only do they put out an album that was the best of 1997, they put out one of the greatest live albums - ever.
There are two components to why "The Dance" was so special. These two components have been Mac staples throughout their careers. The first is that the 5 members captured raw emotion on "The Dance". Fleetwood Mac has always shown they are most successful when emotions are running high. This was clearly the case during the making of "Rumours" when the band was dealing with the breakups of both the marriage of the McVies and long-term relationship between Stevie and Lindsey. Much of that emotion led its way into the music and thus "Rumours" catapulted to landmark status. Now some 20 years later, the 5 members are older and wiser. What is evident is that despite all of the trials and tribulations these members went through over the last 20 years, there was still a lot of passion and care between them all.On the performance of "The Dance" they give in Los Angeles, this is very evident.The second component is that Fleetwood Mac was never afraid to deviate from the parameters of the formula of Rock music - in other words, they like to experiment. On "The Dance", the band shows they like to experiment in a few different ways.It's also worth noting that this is all captured on a single night - as opposed to a "best of" of live songs from multiple nights of the tour. This helps make "The Dance" special.
Looking at the first component. If you get the corresponding video to "The Dance" you will see these emotions run high on stage. However, you don't need this video to feel these emotions surface.The vocalists - Christine, Stevie, and Lindsey connect with the audience immediately through speaking to them - especially Lindsey who truly shows he is glad to be back in the group. There is a lot of dynamics between Stevie Nicks and Lindsey Buckingham. During "Landslide", Lindsey plays guitar as Stevie goes into an emotional song dedicated to her father. However, its evident as Lindsey's guitar meshes with Stevie's vocals that a lot of old emotions are beginning to surface - even some tears begin to surface. At the end of the song, Stevie gives what has become a trademark "Thank you Lindsey" and Lindsey responds back "Thank you Stevie". Emotions run higher during "Silver Springs". This was a song that was left off the "Rumours" album, but always was a Stevie favorite. Stevie was always upset that this song never made it to be released. On "The Dance", this was the first single released. This is one of the great live performances ever - especially toward the end of the song when Stevie and Lindsey go into an emotional duet. Emotions are at a complete high because this was a song written by Stevie about Lindsey. At the end Stevie has her say when she remarks how "Silver Springs was a great old song".The McVies never quite wore their hearts on their sleeves like Stevie and Lindsey, but you will see a humorous side when Christine gets John to sing vocals on "Say You Love Me".
As for the experimentation - Mac uses a Banjo and has John on vocals (first time) for "Say You Love Me". The best is when they introduce the USC Marching Band for "Tusk" and "Don't Stop" - this comes off like a charm. It's really good stuff.
There are also four new songs done live. These songs are not token additions - they are terrific. "Temporary One" (Christine vocals) and "Sweet Girl" (Stevie vocals) are the two best ones. The two Lindsey songs are also very good as well ("My Little Demon" and "Bleed to Love Her"). These songs are also packed with a lot of emotion and are terrific additions to the collection..
The 17 songs of "The Dance" will truly keep you happy. There is a good cross-section of the music of the albums made by these 5 core members and should keep old and new fans happy. The liner notes don't have any lyrics (including the new songs) and they don't mention where and when the performance was recorded. However, this is still an excellent album - easily best of 1997 and one to have in your collection.

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Procol Harum - Live at the Union Chapel Review

Procol Harum - Live at the Union Chapel
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"Procol Harum, Live at Union Chapel" displays superb musicianship seasoned by the world tour the group had just completed in 2003. Gary Brooker does a masterful job of singing and piano playing and the band is the finest England has to offer, original member, Matthew Fisher on organ, Geoff Whitehorn on guitar, Matt Pegg on bass and Mark Brzezicki on drums. Procol Harum's music should be much better known as there is no better progressive rock. The powerful beauty and richness, wit and good spirits of Procol Harum's compositions and lyrics by Keith Reid are a pinnacle of rock history and they haven't let up a bit. Some terrific new material from their excellent 2003 CD, "The Well's on Fire" is performed among such classics as "Conquistador", "A Salty Dog", "Homburg" and "A Whiter Shade of Pale". The digital video was skillfully shot in widescreen on high definition cameras, with excellent lighting, direction and editing. The sound quality is great and in surround sound you will feel like you are in Union Chapel on that memorable night. Don't miss this one and tell your friends, this is a classic.

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Live at Union Chapel catches Procol Harum playing some of the best songs of their nearly 40-year career.Track Listing: 1. Underture 2. Shine On Brightly 3. Pandora's Box 4. An Old English Dream 5. Grand Hotel 6. Homburg 7. Quite Rightly So 8. Simple Sister 9. Weisselklenzenacht (The Signature) 10. Shadow Boxed 11. The Question 12. Wall Street Blues 13. This World Is Rich 14. As Strong As Samson 15. Every Dog Will Have Its Day 16. A Salty Dog 17. Conquistador 18. VIP Room 19. Whisky Train 20. Good Captain Clack 21. Whiter Shade Of Pale

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