Showing posts with label beethoven. Show all posts
Showing posts with label beethoven. Show all posts

Farewell Concerts Review

Farewell Concerts
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The performance of Schubert's B flat Sonata is alone worth the price of the entire CD. If there has been a better recording and more fully realized vision of this piece to date, I don't know of it. The rest of the playing is very good and solid and makes a wonderful cohesive recital. The final Bach-Busoni encore whose lines are brought out by Brendel as if in front of a giant baroque church organ is gorgeously played than fades to black. It's a great way to close the record and lid on one of the all time great classical concert artists of all time, a time-span which encompasses the early LP stereo era through the advent of CD's and DVD's, remarkable. Future generations will have a great sample of high quality recordings of his unique talent at their disposable so they can hear for themselves some of the magic of this man. I hope this record wins a few awards as it should. Brendel has given the musical world many gifts throughout his career and it is fitting that he leaves us with one last one. Everybody should buy this without hesitation, as this type of piano recital, is a dying art, one that doesn't try to impress through bombast and pyrotechnical razzmatazz, but from virtuosic playing, deeply felt and a deeply satisfying experience. Own it for you and your future generations to cherish, so the art is not lost.

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Alfred Brendel has for many years been among the world s greatest pianists: in concert, recital and on many best-selling recordings. Here, in his last CD release recorded in the year of his retirement (2008), he gives his final public performances in solo recital and in concert revealing a master musician in total command of his art. This 2CD digipak souvenir set captures these two memorable occasions. Recorded live in Hanover, Brendel's farewell recital featured composers with whom he is most closely associated throughout his career with a set of variations by Haydn, and sonatas by Mozart, Beethoven and Schubert. It is fitting that Alfred Brendel's final public performance should be in Vienna's beautiful Musikverein, with the Wiener Philharmoniker an orchestra with whom he has enjoyed a long and fruitful collaboration. The concert was conducted by Sir Charles Mackerras, marking the end of an exceptional partnership between pianist and conductor. The booklet includes Brendel's own notes on the recital repertoire, and tributes from Sir Charles Mackerras and Prof. Dr. Clemens Hellberg of the Vienna Philharmonic, as well as a farewell statement from Alfred Brendel himself.

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Beethoven's Last Night Review

Beethoven's Last Night
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To my great relief, TSO returns to form (and better) with Beethoven's Last Night. Their 1998 release, The Christmas Attic, was enjoyable but a let-down: it seemed like a rehash of their first album instead of a new idea.
But Beethoven's Last Night is something else altogether. Across 22 tracks (73 minutes of music), TSO unfolds the harrowing story of Beethoven's last night on earth, including remembrances of his love and life, deals with the devil, and the saving grace of Fate. Like most of O'Neil's writing for TSO and Savatage, it's a tear-jerker and bound to leave you with a smile on your face.
The songwriting is volcanic, bombastic but widely varied; the pounding heavy metal that introduces Requiem (The Fifth) is interrupted by a ghostly children's choir, creating a goosebump-inducing shock. I got chills up my spine at least five times during the course of the album. The musical asides - little bits of the Moonlight Sonata and countless others by Beethoven and Mozart, polyharmonic choral sections, a children's choir (only very briefly, don't worry) -- make for a rich, multilayered repeat listen.
The vocal performances are stunning in their perfection. Beethoven sings like an operatic baritone, Theresa veers between rock siren and delicate soprano, Mephistopheles sneers and rasps, Twist (Fate's deformed son) mocks and leers, and in the end Fate sings us to sleep with a simple, beautiful lullaby.
Paul O'Neil's songwriting can be uneven -- you wince a bit when he rhymes "dismembered/remembered" and "minute/in it," and intros a song with an 80's-power-ballad drum fill -- but he hits much more often than he misses, and the music and vocals are good enough to gloss over the rough patches.
Who is the market for this album? A heavy metal fan with a weakness for musical theater. A classical music fan who likes Andrew Lloyd Weber and can stand an electric guitar or two. Someone who isn't put off by serious emotion and high drama. And someone with a good attention span -- the album demands to be listened to all the way through reading along in the (20+ page)liner notes, at least once. Think of it as the soundtrack to the best Broadway musical/rock opera that never was. If you like the genre, you'll love this.

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No Description AvailableNo Track Information AvailableMedia Type: CDArtist: TRANS-SIBERIAN ORCHESTRATitle: BEETHOVEN'S LAST NIGHTStreet Release Date: 04/11/2000

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Beethoven: "Spring" and "Kreutzer" Sonatas/Anne-Sophie Mutter - A Life with Beethoven (2002) Review

Beethoven: Spring and Kreutzer Sonatas/Anne-Sophie Mutter - A Life with Beethoven (2002)
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It was cold outside. Chicago has been hit by a blizzard and everywhere is covered with snow. The winter just began yesterday.
I got this DVD in the mail today, opened it and put it in my DVD-Rom. Suddenly, winter withdrew and "spring" has come! Of course, it's Beethoven's "Spring" Sonata.
For thousands of Mutter fans, this DVD is godsend. It includes two programs of Beethoven's Sonata. The first one is the Sonata for Piano and Violin No. 5 in F major (Spring), 26 minutes. The second one is the Sonata for Piano and Violin No. 9 in A major (Kreutzer), 44 minutes. ASM is amazing and perfect in both programs, working together with her long-time partner, Lambert Orkis. The music is exuberant with color, emotion and energy.
This was a live recording in Theatre of Champs-Elysees in France in 1998. For those Mutter fans who have been to an ASM concert (as I have), the format is very similar to those concerts. Mutter stands on the right side of Orkis and piano, closer to the stage. They work together perfectly, the dialogue of music flows like a stream in spring.
A HUGE bonus is the documentary A Life With Beethoven. In this 58-minutes movie, Mutter tells us how she grew up to be a violinist, her early music training with Herbert von Karajan, and her interpretations of Beethoven's music. It is a documentary full of photos and video clips.
Both sound and video quality are magnificent. I own one ASM DVD recored in early 1980s and it's quite dull. But this one is perfect in every perspective.
I am lucky enough to find this DVD before it's released. For a Mutter fan like me, this is the ultimate collection that you don't want to miss.

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