Showing posts with label baritone. Show all posts
Showing posts with label baritone. Show all posts

Prima Voce: Leonard Warren Review

Prima Voce: Leonard Warren
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About 25 years ago, I went to a local record store that was owned by a nice elderly couple. They had been in the business since the 1920s and they still had some 78 rpm recordings that I bought out of curiousity. One such record was Leonard Warren singing "Blow the Man Down". I immediately became interested in Leonard Warren. However, for years could not find any other recordings on LP or later CDs, until I started ordering music on line.
This collection gives you over two hours of the great Leonard Warren, focusing in on his recordings of Verdi, but also includes more popular songs including "Blow the Man Down", "Battle Hymn of the Republic" and "America the Beautiful".
Despite the fact that these recordings were done during the 1940s and 50s, the sound quality is good (much better that my 78 recording). The CD comes with very informative and educational liner notes that gives the listener some basis to understanding an outstanding artist that can be considered relatively remote and obscure.

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"Leonard Warren was the great Verdi baritone of our times." --Tony RandallLeonard Warren (1911-1960) was the acknowledged MetropolitanOpera successor to the previous leading baritone, Lawrence Tibbett. Hedominated the Met stage, especially in Verdi roles, from 1938 until hisdeath. Warren had one of the most operatic deaths in Met history. He wasappearing in 1960 in Verdi's La forza del destino and had just begunto sing the aria "Urna fatale" ("Fatal urn of my destiny") when he suffereda heart attack and died on stage in front of a packed hall of horrifiedspectators. This two-disc compilation is the definitive overview of thisgreat artist's legacy.

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On Tour in Russia Review

On Tour in Russia
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Leonard Warren was a baritone noted mostly for the power of his dark baritone voice, but he could also sing quite sensitively as this collection proves. Unfortunately, he does NOT sing sensitively in the heavy-handed, old-fashioned readings of Handel, Bach, "Aamarilli" or "O del mio amato ben," but his performances of tracks 3, 7, 9, 10, 13, 17-22 and 24 are superb. Especially interesting is his baritone version of the tenor specialty "Mattinata," which he turns into an intimate love ballad...I have never heard the like, and it is surprisingly effective. In the arias, of course, Warren is in his element; the "Faust" is sung much like Alexandru Agache in the Rizzi recording, and "Nemico della patria" is a predictable tour-de-force. William Sektberg's pianism is competent and perfunctory, nothing more. American-based singers of this era (among them Steber, Merrill and Bjorling) didn't exactly use the best pianists most of the time; the singing was the focus of things. Recommended, then, with a few reservations.

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