Swing Swang Swung Review

Swing Swang Swung
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Guardian continues to change their image with more acoustic instrumental work and softer (but not weak) vocals. This album changes the way you look at this top-flight Christian rock band. A "must" for any fan.

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The way back home -- Endless summer -- C'mon everyone -- Like the sun -- Rich man over the line -- Your love -- Don't say that it's over -- See you in heaven -- Let the whole world -- Preacher and the bear -- Still on my mind -- Why don't we.ith musical influences centered around such bands as Guns N' Roses and Motley Crue, Guardian has become a powerful force in the gospel music industry. The Christian rockers, best known for such hits as "Power of Love" and "Shoeshine Johnny," have forged their way into the '90s with modern gospel metal.Guardian was originally known as "Fusion" by its founders, bassist David Bach and vocalist Paul Cawley. Along with drummer Rikk Hart and guitarist David Caro, the band played at local gigs throughout the early '80s before finally obtaining a record deal from the Enigma label in 1985. When they found that there was already a band of the same name, they changed to Guardian and added guitarist Tony Palacios to replace Caro. Their album First Watch was released in 1989 and was followed by extensive touring.When the band finished their tour in Japan, both Cawley and Hart left in 1990 after being unable to handle the stresses of touring. Bach and Palacios asked to be freed of their Enigma contract, requesting a more Christian label. They would be released later that year, and vocalist Jamie Rowe and drummer Karl Ney would be added around that same time. The new lineup began to record, finally releasing their first album on their new Pakaderm label, Fire and Love, in 1991. The response to the album was overwhelming, and the video filmed for their hit "Power of Love" was added to MTV's Headbangers Ball. After a more successful tour, Miracle Mile was released in early 1993, and the album reached the CCM Top Five. Miracle Mile was quickly followed by Swing Swang Swung in 1994, the band's experiment with acoustic music. By 1995, they had finally accepted the modern '90s

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