Average Reviews:
(More customer reviews)This is the first post-Waters album released by Pink Floyd. How good this actually is really depends on who you talk to. Clearly the band lost a monstrous talent when Roger Waters decided to leave. His lyrical and conceptual ideas, as well as his sense for dramatic presentation (both on stage and on record), are unmatched. Pink Floyd became the band that it is in large part because of Waters. Equally responsible for their direction and success, however, is David Gilmour. He is a masterful musician and a brilliantly passionate guitarist who has helped shape the band with his unparalleled playing. Arguably it was Gilmour's emotional guitar and musical talent that gave power to Waters' words. Though noone can dispute the vital contributions both Rick Wright and Nick Mason made to help forge the band (nor founder Syd Barrett who laid the template for the rest to follow), most would certainly agree that Gilmour and Waters have always been the main driving force.
Now where does all this leave A Momentary Lapse Of Reason? With Waters gone, obviously a large portion of the chemistry that spawned such classics as Animals and Wish You Were Here is missing. The band's direction and approach to writing would naturally have to adapt, in much the same way they had to adapt after Barrett's departure. Lyrically the album is weak in spots. It contains no conceptual thread nor does it even begin to approach Roger's level of clever wordplay and stinging sarcasm. The lyrics are more poetic generalities than they are deeply held convictions. That being said, this album is a gorgeous work of music that, in certain ways, harkens back to Wish You Were Here and Meddle. Sounding like neither, but capturing the spirit of both, A Momentary Lapse Of Reason is absolutely a return to form. Without Roger's lyrical genius, Dave wisely focused on HIS strengths and passion: the music. From the chilling instrumental opener Signs Of Life, to the glorious raging darkness of the album's closer Sorrow, this is Pink Floyd in all their musical glory. The album has a dark haunting quality to it, each song moving through several interesting parts that never sound dull or forced. The beauty of this band's sound has always been that it's very visual and evocative. This album certainly delivers that. In particular the last half is one phenomenal stretch of spine-tingling music. Keyboards, drums, bass, and the occasional saxophone blend wonderfully with sinister sound effects to create beautiful soundscapes - and Gilmour's spectacular guitar slashes, cries, whispers, screams, and howls throughout the entire journey. It is a ride worth taking.
As you read through many of these other reviews, it's obvious that alot of people feel very strongly that this is not a Pink Floyd record. I understand but disagree. As much as the band had a right to carry on after Barrett left, clearly the band had a right to continue after Waters. Arguing over the "authenticity" of this album (and all those that followed without Waters) is pointless, as every listener has his or her own idea as to what Pink Floyd is to them. To put it simply, if you feel that the lyrical and conceptual content of Pink Floyd is undeniably the most important aspect to you, then you're probably better off passing this up. At the very least borrow a copy before you buy it. However if the music of this band is what has always moved you, then you're going to love this. Roger Waters may have left, but Pink Floyd remains.
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Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. 2008.--This text refers to an out of print or unavailable edition of this title.
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