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(More customer reviews)All the press oversaturation and rumours of bizarre behaviour really hurt Michael Jackson's public image, thus obscuring the fact that Bad, hokey cover and all, is a very strong album and another jewel in Jackson's crown.
Jackson contributes more songs to this album than ever before, penning four out of the album's five record-breaking #1 singles: "I Just Can't Stop Loving You", a duet with the wonderful Siedah Garrett that is probably Jackson's last great ballad performance; "Bad", funky and weird, very catchy, with its signature "How Now Brown Cow" rhythm; the gyrating "The Way You Make Me Feel"; and "Dirty Diana", a metal song with great production and a cacophonous guitar performance by Steve Stevens. The fifth chart-topper, "Man in the Mirror", is an undeniable classic. Taking Jackson's save-the-world sentiment and translating it into poetry, strong melodies and evocative imagery, songwriters Garrett and Glen Ballard created Jackson's best "We Are the World"-type song, complete with an appropriately booming gospel choir and dynamics to spare.
The less popular songs are equally good: The Stevie Wonder duet "Just Good Friends" is heavenly, "Liberian Girl" is breathy and sensual, and "Smooth Criminal" is Jackson at his most hard-hitting, a killer groove with crisp beats, synth work, perfectly placed sound effects, and Jackson's vocals going into manic mode. The lyrics verge on the nonsensical, but the energy is devastating and intoxicating. Even the CD bonus track "Leave Me Alone" is worthy, a funky keyboard riff opening the song which is Jackson's protest for privacy, yet with enough of a sense of humour not to make it too self-pitying. And the music videos (available on the Moonwalker home video as well as ) were groundbreaking -- "Smooth Criminal" a cinematic dance masterpiece with killer choreography and "Leave Me Alone" an animation breakthrough.
Bad was the first English-language album I ever bought (in 1988, at the height of its popularity). Needless to say, I have an unusual affection for it. To be fair, Michael Jackson's music is distinctly a product of the '70s and an emblem of the '80s, accounting for its dated sound in the context of the '90s and in the first decade of the 21st Century. On Bad, though, Jackson was still at the top of his game in songcraft and charisma, making Bad an essential listen.
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Japanese only paper sleeve pressing features all new 2009 remastering. Sony.--This text refers to an alternate Audio CD edition.
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