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(More customer reviews)There are all sorts of "tribute" albums out there from multiple artists. There's at least one tribute to Genesis done by a mixture of younger-generation prog acts and some old timers as well, but who says it has to be done only by outsiders? Or necessarily as prog, per se? After all, jazz people do Beatles material. Country artists do Beatles. And who says that when a former member does a song it has to be note-for-note the way a bar band would do it? From straight-up treatments of "Turn It On Again" and "No Son Of Mine" to a version of "Follow You Follow Me" without the Mike Rutherford plunkety-plunk hook and a much more organic version of "Man On the Corner" (a more acoustic sound and no drum machine), Daryl Stuemer draws tastefully on Wes Montgomery and George Benson (for the mellow sound) and John Scofield (for the more muscular blues leads). Stuermer may never be a jazz icon like Metheny, but there's a lot of room in jazz for the artist who's listenable without having to be a trailblazer. I can see him doing session work for maybe the Yellowjackets or Marcus Miller.
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