Average Reviews:
(More customer reviews)This work, to my mind, is one of the most penetrating works that opera has ever produced. The philosopher Hegel in his 'Phenomenology of Spirit' had drawn up a sublation between Being and Nothingness whose synthesis is Becoming. This Becoming is the phenomenal world into which we are tied, as Heraclitus said 'we cannot step into the same river twice'. As sentient beings tied into the Kantian Categories which we cannot go behind them, so we are dependent on the artist to take us beyond the limits of experience. Debussy peers beneath this phenomenal curtain in this magnificent work, penetrating toward the in-itself, and depicts the a priori forms that transcend time and space, suspending our day to day activity to behold the sublime. This splendid CD, at budget price enables the listener to hear this strange sound world stripped of true action that Maurice Maeterlinck had set out in his play and libretto. The everchanging string eddies and woodwind flurries of Debussy's score are at soft half lights and who should know this work more than this Northern Region French ensemble. The soloists are excellent with the exception of Francoise Golfier who plays the child Yniold. In my opinion she overplays her characterisation of naive jeunesse, namely, her childish voice, which tends to grate on the nerves with repeated playing on a CD. She should have underplayed the juvenile style much more for the benefit of the listener. That point excepted, this is a first rate recording and performance that is to be heartily recommended. This work is part of a French response to certain mystical elements in Wagner's 'Tristan' which resonated in certain aspects of the Gallic intellectual makeup. It is sometimes forgotten by us foreigners (although Caesar referred to it in his de Bello Gallico) that the French are made up of three parts of which the Belgae are one. The whole background of this work is of the Belgae, those inhabitants of the sulphurous polders that separate north eastern France from present day Belgium. This less familiar darker and more foggy world is far away from the southern light and sun of Ravel's magical world or Bizet's L'Arlesienne. Debussy produces from the skeins of Maeterlinck's Belgic otherworldliness and mystery a musical world he knew he could never recapture, hence he only produced one opera. He had 'said it all' said Satie who scrapped his own plans for an opera after hearing this. It is easy to figure out why when you become aquainted with this great work. Totally, totally brilliant!
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