Showing posts with label tina weymouth. Show all posts
Showing posts with label tina weymouth. Show all posts

The Name of This Band is Talking Heads Review

The Name of This Band is Talking Heads
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This is one of the greatest live rock albums ever released, which always made me wonder: why the hell wasn't it ever released on CD? Fortunately, that omission has been corrected and then some.
I, like most of the other reviewers here, bought this on cassette in the early 80s, and listened to it over and over and over on my Walkman. Once CDs became the dominant form, it seemed like this release was just going to fade away and I started cautiously eyeballing the extra-long cassette with its extra-thin tape to allow for 40 minutes per side. I found the double-LP set in a used record store, cued up an XLII and made a safety copy.
But now not only is that no longer necessary, but the CD is almost double the length of the original set. Great remastered barebones live Talking Heads from 77, 78, 79, 80 and some other rarities. It charts the early evolution of the band from Izod-wearing art schoolies to rhythmic world beat hipsters, dropping off just before the "Stop Making Sense" period began.
The new version sounds amazing (maybe I'm just used to my muddy old dubs) and it's almost box-set-like in its set list and packaging. It's a record to make your day.

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Formed in NYC in the mid-'70s by David Byrne, Chris Franz, Tina Weymouth, and ex-Modern Lover Jerry Harrison, Talking Heads soared out of their humble CBGB's beginnings to become Rock and Roll Hall of Famers and one of the most adventurous and influential bands ever. The onstage energy that propelled their rise to fame was documented in the 1982 double-LP set THE NAME OF THIS BAND IS TALKING HEADS, now available on CD for the first time. Following them through several early evolutions from '77-'81, this live gem - a 1982 Top 40 Billboard Album- is a riveting portrait of a stellar band on the rise. For its CD debut it's been expanded with over 30 minutes of rare and mostly previously unreleased bonus material.

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Stop Making Sense: Special New Edition (1984 Film) Review

Stop Making Sense: Special New Edition (1984 Film)
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Jonathon Demme's 1984 concert film of the Talking Heads was an incredible experience. Sadly, when the original soundtrack was released, it contained only nine of the songs performed. Not only that, but they were entirely out of sequence, completely destroying the original purpose behind David Byrne's conception of the concert. Thank God they released this anniversary edition of the soundtrack, as this really does the film justice. Every song is here, and in its proper place, the way it was meant to be heard.
So, what is the big deal, you ask? Well, picture this. The soundtrack begins with "Psycho Killer," one of the first really big hits for the group. Instead of the entire band being onstage, David Byrne walks out with an acoustic guitar and a boom box. He presses PLAY on the box, which cues a drum program to begin playing. So the first song is just David Byrne singing and strumming his guitar, accompanied by pre-recorded percussion. For the next song, "Heaven," Byrne is joined onstage by bassist Tina Weymouth. Then Chris Frantz's drumset is wheeled out, and the three of them go into "Thank You For Sending Me an Angel." We finally hear some real drumming, not the predictable, computerized beats in "Psycho Killer." The album really begins to come alive. Then they go into "Found a Job," and things get more interesting. Byrne swaps his acoustic guitar for an electric, and lead guitarist Jerry Harrison comes out, meaning we now have two guitars. By the time the fifth track, "Slippery People," is underway, the entire band (including the extra musicians and backup singers) are on the stage, and now things are cooking. What happens over the remaining twelve tracks can only be described as an overload of the senses.
The purpose behind the concert was to provide a unique experience for the concert-goer, to create visual as well as aural art. Some of that sense is lost on the CD listener, but some of it remains. The songs were translated to disk beautifully, so that they still retain just about everything that made them a pleasure to listen to while watching the film. One can almost picture David Byrne running laps around the stage, dancing with the lamp, or wearing the big suit.
The concert resulting in the film and this album was performed shortly after the band released their 1983 album "Speaking in Tongues." So, needless to say, many of the songs you will hear are from that album. And I have to say that for each of them, I prefer the live version to the studio version. Each one of them sounds more vibrant, more full of life when performed on the stage. The improvisation on "Burning Down the House" is as good as it gets. Ditto "This Must Be the Place (Naive Melody)," which is one of the most beautiful things I've heard, and I don't even like love songs. The studio versions lack that extra energy. Their pulse is just too slow. This is never more true for "Life During Wartime," which is actually a song from 1979's "Fear of Music." But anyway, this song displays Byrne's tendency to perfectly mismatch music and lyrics. The pulsating beat of club rock flows beneath what I interpret to be a humourously disturbing tale of a country under martial law. The song should not work as well as it does, and yet somehow, they pull it off. Anyway, after hearing the live version of it, I can no longer listen to the studio version. Also noteworthy is the improvisation on "Crosseyed and Painless." The intro and the extended guitar solos are just the icing on the cake for that one!
If there is a bad song on this album, it would have to be the interlude by the Tom Tom Club (a solo project of Heads drummer Chris Frantz and bassist Tina Weymouth). "Genius of Love" could have been a great song. The instrumentation is very good. Sadly, it's ruined by Frantz's raucous babbling. He's attempting to be random like David Byrne, but tragically, he's not good at it. Other than that, this album is solid gold. It demonstrates the full potential of live music, and sounds amazing while doing it. Whether you're a fan of the Talking Heads or not, this album belongs in your collection.

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No Description AvailableNo Track Information AvailableMedia Type: CDArtist: TALKING HEADSTitle: STOP MAKING SENSEStreet Release Date: 09/07/1999

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Stop Making Sense (1985) Review

Stop Making Sense (1985)
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Director Jonathan Demme's STOP MAKING SENSE, listed by Entertainment Weekly as one of the Essential Independent Films when they produced that list years ago, has been called, by others, the greatest rock concert films of all time. Better than THE LAST WALTZ. Better than WOODSTOCK.
After seeing it, not really knowing much about the quirky, catchy pop music of David Byrne and his brood, the band and the film won me over. The film starts, like the concert, with a bare stage. David Byrne walks out, alone, with his guitar and a radio. Within moments of beginning "Psycho Killer," Byrne's tripping all over the stage, falling all over himself, stumbling into the edges of the film frame. With that, he begins to show some individual, I-am-not-a-rock-star personality. When the staging does come, when the band joins in the fun, that personality expands.
And when it comes time for the giant suit, this film's more than just a concert. It's become a story. The story of the band, the story in the lyrics and a commentary on how abstract visual art and obscure, obtuse music can interact.
Demme never shows the audience through the film, though you can hear them, for the film is just about the band, the stage. It's not about the reaction they get.
It's fascinating, and you'll find yourself a fan of Byrne's music, as a result.

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STOP MAKING SENSE - DVD Movie

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