Showing posts with label singing. Show all posts
Showing posts with label singing. Show all posts

Lock Up the Wolves Review

Lock Up the Wolves
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This album is as good as Holy Diver, Last In Line, Dream Evil and Sacred Heart. The slow songs are great and the faster power metal songs are great too. Ronnie's voice has never been better and Rowan Robertson is as good if not better than any other Dio guitarist. Robertson was only 16 but his riffs and solos are amazing. The best songs are Born On The Sun, Lock Up The Wolves, Walk On water, Why Are They Watching Me and My Eyes. Every song on this album is worth listening too. If you like Dio's other albums or good metal music in general than buy this album.

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Out-of-print in the US. For the '90s, Ronnie James Dio retired his entire band and put together a brand new Dio line-up for 1990's LOCK UP THE WOLVES. While some new members were already familiar to longtime heavy metal fans (drummer Simon Wright was a brief member of AC/DC in the mid-80's, while keyboardist Jens Johansson did time in Yngwie Malmsteen's band), the biggest story of the new line-up was newcomer Rowen Robertson on guitar.Like Dio's previous guitarists (Vivian Campbell and Craig Goldie), Robertson's heavy riffs and technically accomplished soloing skills complemented Dio's mediaeval storytelling perfectly. The young guitarist, who was barely in his 20s, reinvigorated Dio's desire to rock, as evidenced by such tracks as the vicious album opening "Wild One", as well as the title track and "Walk on Water".--This text refers to an out of print or unavailable edition of this title.

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Shine Eyed Mister Zen Review

Shine Eyed Mister Zen
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Compliments of my parents, I grew up listening to delta and country blues-- Robert Johnson, Son House, Charley Patton, Bukka White, well, you get the point. As the years went by, I found myself less and less interested in pure blues. Look at the greats-- half of Blind Willie Johnson's songs have exactly the same melody, and he wasn't even the worst offender. Formulaic lyrics and repetitive song structures just didn't do it for me anymore. I turned to jazz, blues-influenced folk such as John Fahey, and the occasional blues-based rock of modern geniuses like Chris Whitley and Ben Harper, and jam bands like Widespread Panic and the Allman Brothers. Until a few days ago, the only pure blues that held my attention came from the odd-balls like Mississippi John Hurt and Skip James. Then I heard Kelly Joe Phelps-- this album in particular. OK, so he's only one man, but he writes and plays with such soul and technical skill, and more importantly, originality that I no longer believe the form to be a lost cause. Unlike Corey Harris or Ben Harper (mentioned by another reviewer), Phelps does not attempt to simply infuse his blues with cajun and occasionally carribean sounds (like Harris), or infuse rock with folk, blues and reggae (like Harper, one of my personal favorites) in order to revamp the blues. Phelps just plays the blues. However, the difference between Phelps and someone like Dave Van Ronk (part of the 60's blues revival) is that Phelps writes songs with complex structure, melodies and rhythms rather than just rehashing Robert Johnson. Like Chris Whitley on 'Dirt Floor,' Phelps shows that the form is not a lost cause. There is still room for creativity in the blues.

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Madonna - The Confessions Tour Review

Madonna - The Confessions Tour
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Madonna described the tour as "turning the world into a giant dance floor". The show is divided into four separate acts with different themes: Equestrian, Urban Bedouin, Glam Punk and Disco Fever. Madonna's Confessions Tour was a concert tour organized to support the album Confessions on a Dance Floor and set the record for the top-grossing tour ever by a female artist. The tour grossed more than $194.8 million with a total of 60 shows and 1.2 million people in paid attendance through North America, Europe, and Japan. Despite the U.S. lack of good taste in music and by refusing to give her radio play for her Confessions CD, she still managed to gross more than $80 million for the U.S. shows alone throughout the summer. In The U.S. her confessions tour instantly became the highest grossing summer tour of the year 2006. The tour has generated international controversy due to its use of Christian religious symbols. While singing "Live to Tell", Madonna hangs from a mirrored cross wearing a crown of thorns around her head. Christian, Jewish and Muslim groups in North America and Europe came together to criticize what they saw as Madonna's exploitation of "sacred" Christian symbols and labeled the show as blasphemous even though they never saw the show. Madonna brought more than just the Devil out in some of these Christians and other religious groups. A 63-year-old Dutch priest was even arrested when he decided to make a confession of his own when he confessed to making a hoax bomb threat in an attempt to stop her concert. In response to the criticism, Madonna personally and publicly invited Pope Benedict XVI to see the show while she was in Rome - insisting that she was doing the controversial act to raise awareness and money for orphans abandoned in Africa (particularly Malawi) due to HIV/AIDS and that "Jesus wouldn't mind." (While she sings "Live To Tell," in the background run haunting images of the devastation in Africa right now. On the top of the screen, a count begins from 0 until it reaches 12 million - the number of orphans created by HIV/AIDS in Africa alone. The tour features songs mainly from her Confessions on a Dance Floor CD which is considered Madonna's comeback album from her previous lowest selling effort American Life. Confessions on a Dance Floor's sales are near 10 million worldwide. It also holds the record for topping the most charts in the world. The single "Hung Up" also holds the record for topping the most charts in the world. With Confessions on a Dance Floor Madonna refused to follow any U.S. chart trends. She decided to release a collection of dance/electronic songs, which did not receive significant airplay in the U.S. but received massive airplay on all other parts of the world, including Europe and Asia. Nevertheless, despite lack of U.S. radio support (boycott because she spoke out against the war and that idiot president bush) all of the singles had a great performance on iTunes and on MTV's TRL Video Music Countdown. Madonna kept her goals of doing what she wanted and establishing trends instead of following them. Even lack of support in her home country didn't stop the album from selling over 1,600,000 units in the U.S. alone. This is one amazing show and one of her best tours. Madonna is still The Most Successful Female Recording Artist in the history of the world and this DVD proves she is far from singing her last song.Below is the Set List
Equestrian Act
1. "Future Lovers/I Feel Love"
2. "Get Together"
3. "Like A Virgin"
4. "Jump"
Urban Bedouin Act
5. "Interlude: Dancers' Confessions"
6. "Live to Tell"
7. "Forbidden Love"
8. "Isaac"
9. "Sorry"
10. "Like It Or Not"
Glam Punk Act
11. "Interlude: Sorry (Remix)"
12. "I Love New York"
13. "Ray of Light"
14. "Let It Will Be"
15. "Give Peace a Chance" (performed only in Moscow)
16. "Drowned World/Substitute For Love"
17. "Paradise (Not For Me)"
Disco Fever Act
18. "Interlude: Roller Dance: Disco Inferno"
19. "Music" (With Where's The Party mid-section)
20. "Erotica"
21. "La Isla Bonita"
22. "Lucky Star"
23. "Hung Up" Madonna will also be releasing a live cd to go along with this Confessions Tour DVD. Below is the CD track listing:
1. Future Lovers / I Feel Love
2. Like A Virgin
3. Jump
4. Confessions
5. Isaac
6. Sorry
7. Sorry (Remix)
8. I Love New York
9. Let It Will Be
10. Music Inferno
11. Erotica
12. Lucky Star
13. Hung Up Special thanks to Wikipedia, the free encyclopedia for some of the information!


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Item Name: Confessions Tour; Studio:Warner Bros / Wea

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