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(More customer reviews)James Hunter is less Sam Cooke on this one, and more Ray Charles. He's clearly been absorbing the Atlantic/Stax catalogue - which is a great thing. Why not learn from the best?
Like on his previous CD, it's all original material. Hunter continues to exhibit his rare gift for writing songs that come out sounding like old r&b classics from the 50's, 60's, and 70's. And that's not easy. In fact, I can't think of any other current artist able to do it!
This is punchier, with more grit and growl than the ultra-smooth "People Gonna Talk" - and better reflects the energy of his "live" show. It's another beautifully paced mixture of mid-tempo and up-tempo compositions, with only a couple slow numbers. Many tracks feature prominent sax, keyboards, and sometimes a low-key violin section. As a whole, it rocks a little more than its predecessor - and has a somewhat looser, more organic feel to it. He sounds more contemporary. Lyrically, these are songs of unrequited love - the romantic pleas of a persistent suitor - but they're never sad or morose. A couple others offer hard-won advice gleaned from life lessons. In either case, he lets you know he's a survivor and a fighter.
For a guitar hotshot, Hunter seems to prefer being an understated team player - really letting loose only a few times. "Don't Do Me No Favours", "Til The End", and "Ain't Goin' Nowhere" all contain incendiary guitar work. "Carina" is similar to "Mollena" from the last CD. It's a sound I love - like Ben E. King and the Drifters. "She's Got A Way" slightly resembles Ray Charles' "I Got A Woman", while "Believe Me Baby" channels Ray's "What'd I Say" with a chorus nod to Rufus Thomas' "Walking The Dog" (featuring great Allen Toussaint piano). Another stand-out is "Jacqueline", which seems inspired by Little Richard's "Good Golly, Miss Molly" and Chuck Berry's "Maybellene". The man has impeccable good taste! As usual, his vocals are soulful and spot-on.
Really, the whole CD is terrific. This guy's going to be around for a long time. I love "People Gonna Talk" a lot, but "The Hard Way" is even better. If you get it, I guarantee you'll enjoy it.
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The Hard Way (Tour Edition)Soul deep Brit James Hunter - who possesses a "tight, slithery soul groove" and a "sweet growl" (NY Times) - will make his Hear Music debut with the release of 'The Hard Way.' The new album finds Hunter delving further into the realm of deep soul on a set of all-original material. 'The Hard Way' was produced by Liam Watson (The White Stripes) at famed analogue haven Toe Rag Studios in London. The instrumental palette is rich and the arrangements sharpened for 'The Hard Way.' Allen Toussaint joins Hunter on the sultry "Til The End," the rhumba "Believe Me Baby," and the title track. The gorgeous Echo Strings buoy "The Hard Way" and the romantic "Carina," with accompanying pedal steel. The jumping "Don't Do Me No Favors" is designed for the dance floor. The album resolves with the romantic ballad "Strange But True," the first Hunter recording stripped down to just vocals and guitar. The album also showcases further evidence of Hunter's guitar prowess, his manic solos recalling the fretwork of Ike Turner. Hunter has extensively road tested the new album, crisscrossing North America and Europe since his 2006, GRAMMY nominated album 'People Gonna Talk' put him on the map. That album took him from being "one of the best voices, and best kept secrets, in British R'n'B and Soul," as Van Morrison put it, to a major breakout success of 2006. He opened for Etta James, Boz Scaggs, Los Lonely Boys, and Aretha Franklin; reached #1 on Billboard's Blues chart; and made several national television appearances. 'People Gonna Talk; earned him critical acclaim as well, with Rolling Stone calling it "a treat not to miss" and USA Today raving about his "sublime soul."--This text refers to an alternate Audio CD edition.
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