Showing posts with label phil lesh. Show all posts
Showing posts with label phil lesh. Show all posts

Road Trips, Vol. 4 No. 1: Big Rock Pow Wow '69 (3CD) Review

Road Trips, Vol. 4 No. 1: Big Rock Pow Wow '69 (3CD)
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Three discs-75,68,41 minutes each approximately. The sound is good to very good, with an occasional, slight sonic glitch-but nothing to worry about. These tapes were recorded by Owsley "Bear" Stanley in 1969. The discs, as usual, slip inside inner pockets of the tri-fold cardboard holder. The graphics are the usual high quality-fitting with the venue. The booklet contains an overview of the concert by Blair Jackson, and a reminisce by Tom Constanten. Band personnel, song titles, lengths, and composer (s) are also listed.
I must first confess that I have a soft spot for the early years of the Dead (1668-72 or so), and while the band played many extraordinary concerts over the years, the music from that first era had a certain sound and feel (especially with Pigpen-the defacto leader of the band) of the band going for broke-something that became a bit more refined in later years.
The set, from the 23rd, (the first of two over two days May 23-24, 1969) begins with Pigpen singing "Hard To Handle" as only he could. After that the band blast off into an intense "Dark Star>St. Stephen>The Eleven", that's one of their better early efforts. This sequence has that usual Dead vibe, but there's an edge to it, making this an early favorite. Both Garcia's guitar playing and the band make this something special. The discs ends with the Pigpen show-stopper, "Turn On Your Lovelight", with Pig really giving it his all.
The second disc, from the 24th, along with introductions, begins with a slightly ramshackle (as only the Dead can do) "Turn On Your Lovelight", and as usual, the band do the song justice and energize the crowd. The band settles down for "Doin' That Rag>He Was a Friend of Mine>China Cat Sunflower>The Eleven>Death Don't Have No Mercy" sequence that ranges from subtle playing to some fairly fierce guitar work from Garcia. These tunes were favorites of both the band and their fans and listening to this set, you get some idea of what the Dead were all about live. Of particular interest is the Rev. Gary Davis song "Death Don't Have No Mercy", played slow and ominously which suits the lyrics.
The final disc begins with long time favorite "Morning Dew", written by Bonnie Dobson, which the Dead played from their very beginnings. Garcia gets into some hard blues territory, something he got away from in later years. This is the first of three tracks from the 23rd. "Me and My Uncle" is a real change of pace from the previous song. Here, both the band and Garcia (especially) play this up-beat tune in a loose style groove, which gives this tune added sparkle. Up next is the running joke "Yellow Dog Story", something the band used when they had equipment malfunctions. The next song sequence (the first from the 24th on this disc), starts up with "Alligator>Drums>St. Stephen>Feedback>We Bid You Goodnight". "Alligator lurches into life with the band playing somewhat raggedly. But even so, there's a vibe that you can hear from this tune that seemed to transfer to the audience. The "drums" segment is the usual organic sound that Hart and Kreutzmann were capable of. "St. Stephen" is taken at a slightly slower pace than usual, but sounds fine. The "feedback" portion of the concert is always a treat. Somehow the Dead were able to make "sound" sound warm and organic. After that it's a really nice rendition of "We Bid You Goodnight", something the Dead wrapped up their concerts with for many years.
If you like early GRATEFUL DEAD, then this is something to consider purchasing. Check the Dead site for a better price. If you're new to the band, I suggest you look elsewhere before tackling something like this. But this is the Dead letting it all hang out, in their loose, good-time, let the music take us wherever it will style. The band in their early days seemed to take more chances and would just let things develop however they may. So if you want to float along on a musical trip with the Dead, and get some feeling of what the crowd heard and felt at the"Big Rock Pow Wow", on the Seminole Reservation way back in 1969, this will do it handsomely.

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The popular Road Trips series begins its fourth big year with just the second release from the 1960s, and Vol. 4, No. 1 is a certifiably great one: Two complete performances from the Big Rock Pow Wow festival on the Seminole Indian reservation in Hollywood, Florida, May 23 and 24, 1969. If you dig '69 Dead--and let's face it, who doesn't?--then these two sets, spread across three discs, will be right in your wheelhouse. Beautifully recorded by the inimitable Owsley Stanley, aka "Bear," just three months after the amazing Fillmore West shows that gave us Live Dead (and the fantabulous Fillmore West 1969 box and compilation), and a month after the Midwest shows immortalized on Dick's Picks 26, the Big Rock Pow Wow set gives us the ragin' beast that was '69 Dead at its most feral and wild.
Track listing:
Disc 1:
1. Hard To Handle
2. Dark Star
3. St. Stephen
4. The Eleven
5. Turn On Your Lovelight
Disc 2:
1. Introduction
2. Turn On Your Lovelight
3. Doin' That Rag
4. He Was A Friend Of Mine
5. China Cat Sunflower
6. The Eleven
7. Death Don't Have No Mercy
Disc 3:
1. Morning Dew
2. Me and My Uncle
3. Yellow Dog Story
4. Alligator
5. Drums
6. St. Stephen
7. Feedback
8. We Bid You Goodnight

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Crimson, White & Indigo: July 7 1989 JFK Stadium, Philadelphia (3CD/1DVD) Review

Crimson, White and Indigo: July 7 1989 JFK Stadium, Philadelphia (3CD/1DVD)
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Crimson, White, and Indigo is an absolute must for Deadheads everywhere, with the DVD portion being the real selling point. Right off the top, you'll be impressed with the video quality considering the 1989 source. Obviously it's not hi-def, but looks great nonetheless. More importantly, the sound is tremendous. They've mastered the 5:1 in such a manner that it will shake your foundation (of your inner being and/or your house) if you've got the system that will allow such a thing. It takes a few songs for the bass guitar to kick into maximum bomb-dropping status, but the experienced Head knows it takes a tune or two to rope in the Dead's PA sound. Most substantive is the smile on Jerry Garcia's face from the onset and throughout the concert. He's beaming, and his non-verbal interaction with Brent Mydland is nothing short of priceless.
This DVD document is a referendum on the fact that 1989 was a very strong year for the Dead musically. Although the performance isn't perfect, therein lies the beauty. It sparkles with wayward abandon. They are all in good voice, very good in fact, and the harmonies are equal parts interesting and scintillating. Phil Lesh's lead vocal on Box of Rain is one of his better treatments of this masterpiece. Brent's soul-bearing rendition of Blow Away is memorable to say the least. From the opening lyric of Hell in Bucket, Bob Weir is in true Bobby form in a good way, energetic and on key. Jerry's voice has rarely sounded better...soft, strong, sweet, and true. His guitar work is unequivocally inspired--simultaneously experimental, authoritative, and precise.
Whether you're a true Deadhead or a newbie, this DVD replicates THE experience as well as anything out there. You can almost smell the scents of patchouli, sweat, and various types of funny cigarettes. If you loved Truckin' Up To Buffalo (this happens to be the next gig on that summer tour), you'll love this. If you didn't, forget it.
Crimson, White, and Indigo isn't for everyone, but it's EVERYTHING to those who appreciate this particular vintage of Grateful Dead elixir. Enjoy!


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The Grateful Dead were enjoying a late-career renaissance in 1989 when the band steamed into Philadelphia on one of the hottest days of the summer to play the last concert ever at John F. Kennedy Stadium. The July 7 show in the City of Brotherly Love highlights the band's exuberant resurgence, a peak that rivals any that came before it.Rhino salutes life, liberty, and the pursuit of 'hippieness' with a collection that includes every note from this epic show on three CD's and one DVD. The DVD captures the entire concert, shot from an amazing multi-camera perspective by the same crew that shot the legendary 'Truckin' Up To Buffalo' DVD.

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Road Trips, Vol. 4 No. 2: April Fools' '88 (3CD) Review

Road Trips, Vol. 4 No. 2: April Fools' '88 (3CD)
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This Road Trips features the entire show from April 1, 1988 as well as the entire second set from the night before all performed at the Brendan Byrne Arena, in New Jersey. These were the second and third shows in a three night stand. The release is also quite long as each disc runs over 79 minutes. The first disc starts off with the first set from 4-1 and a little fooling around before leading into a strong Mississippi Half-Step which gives way to an impressive Jack Straw before a sweet and soulful To Lay Me Down. The second of only two Dylan-less follows and is quite impressive and has already been released on Postcards Of The Hanging - Grateful Dead Perform The Songs of Bob Dylan. The set is rounded out with strong versions of When Push Comes To Shove, New Minglewood Blues and Cumberland Blues. The set ends with a raging Deal. The fist disc is then rounded out with a couple of songs from the first set on 3-31. When I Paint My Masterpiece is fun and the Let It Grow is amazing. Due to cd timing reasons, the encore from 4-1 ends the first disc.
The second disc is the entire second set from 3-31 and starts with a hot Scarlet->Fire. Samson rocks along hard as it usually does while Terrapin Station is very strong. A fun Drums->Space leads into a hot Goin' Down The Road Feeling Bad. The I need A Miracle that comes next is nice although Bob does get a little lost.Dear Mr. Fantasy leads intothe Hey Jude ending while All Along The Watchtower tries to do something a little different even if it isn't entirely successful. The Knockin' On Heaven's Door is sweet.
Disc three features the entire second set from 4-1 and starts with a cool China Cat->Rider. Estimated Prophet is strong and gives way to a flowing Eyes Of The World. The Drums->Space is quite cool which gives way to a heavy The Other One where Bob's voice has added effects as was common at the time. Wharf Rat is strong while Throwing Stones runs a little flat in spots before giving way to a absolutely kickin' Not Fade Away. As I said before the encore of Brokedown Palace ends the first disc. All in all, a worthy purchase from the Dead's site.

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You all know about the glory that was 1987. A year after we almost lost Jerry to his diabetic coma in the summer of '86, the Dead were back, Jerry was the phoenix risen, and the band was bigger than ever: There was "Touch of Grey," In the Dark, the stadium tour with Dylan, a huge influx of new Heads; it was good times all around, for sure. The band was revived and a new day dawned!
Well, we haven't forgotten '88 -- far from it -- and this edition of Road Trips (Vol. 4, No. 2) shows you why. It offers up the entire April 1, 1988 concert from the Brendan Byrne Arena in East Rutherford, NJ (maybe you just called it "the Meadowlands" back in the day), plus the entire second set and a few first set highlights from the previous night's show, March 31.
This release does not contain a bonus disc.
Track listing:
Disc 1:
1. Mississippi Half-Step Uptown Toodeloo
2. Jack Straw
3. To Lay Me Down
4. Ballad Of A Thin Man
5. When Push Comes To Shove
6. New Minglewood Blues
7. Cumberland Blues
8. Deal
9. When I Paint My Masterpiece
10. Let It Grow
11. Brokedown Palace
Disc 2:
1. Scarlet Begonias
2. Fire On The Mountain
3. Samson and Delilah
4. Terrapin Station
5. Rhythm Devils
6. Space
7. Goin' Down The Road Feeling Bad
8. I Need A Miracle
9. Dear Mr. Fantasy
10. Hey Jude
11. All Along The Watchtower
12. Knockin' on Heaven's Door
Disc 3:
1. China Cat Sunflower
2. I Know You Rider
3. Estimated Prophet
4. Eyes Of The World
5. Rhythm Devils
6. Space
7. The Other One
8. Wharf Rat
9. Throwing Stones
10. Not Fade Away

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