Showing posts with label lame. Show all posts
Showing posts with label lame. Show all posts

A Thousand Suns Review

A Thousand Suns
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If you can believe it, this is the first review I've ever written for an album, despite being an amazon customer for years. Why? Because I'm just so damn disappointed in all the negative reviews of A Thousand Suns.
First of all, let me say that I'm not a lyrics person. What I take away from LP's music is a feeling, an emotion, and so far I gotta admit that I'm loving the feeling I get from this album. No, it is not like any of their previous works (though I think we all saw where they might be going as a band after MtM). No, it is not nearly as angry as Hybrid Theory. And no, it is not nearly as catchy as Meteora. So what the hell is it?
To me, it's a recovery album. This may be lost on some readers, but if i picture LP's albums as a man going through life, I see their early music as a very wounded and angry man. The catharsis in listening to those albums comes from realizing that not only does someone else out there hurt as much as you, someone out there may actually hurt even more. I revel in listening to those early CDs for that reason. When Reanimation came out, I saw a slightly more playful side to LP. The wounds were still there, but they were being examined now, looked at in an almost clinical, curious way. Minutes to Midnight disappointed me at first, I'll admit it. The wounded man was no longer angry, but I still was. It took me several looped listens to come to terms with the fact that he had moved on, and was beginning to let some of the old grudges go. It's not a tired album - far from it - but MtM does give one the sense that LP was getting tired of fighting all the time. That they were searching for solace.
A Thousand Suns, then, in my view, is Linkin Park's first glimpse of solace. Listening to it, I see the wounded man internalizing his anger differently now than in Hybrid Theory, taking the weight of his troubles on his own shoulders rather than throwing them onto others. A salve of sorts is applied to some of the old scars, though a few new cuts are evident too. It's not a happy album by any means, but it is peaceful, in a way only LP can make industrial noise sound. It's also not a simple album; I am sure that future listens will reveal even more about the music to me. But for now, I felt the need to let other hesitant buyers know that I trust LP pretty implicitly with my musical soul. Whatever journey they want to take me on, I'm willing to go for the ride. And I'm willing to grow up with them too, if that's what they ask of me.

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Limited Edition CD+DVD includes a 'making of the album' documentary & 'The Catalyst' music video.'A Thousand Suns'We were not making an album. For months, we'd been destroying and rebuilding our band. The experiments that resulted filled the studio hard drive with diverse, abstract sounds. Amorphous echoes, cacophonous samples, and handmade staccato merged into wandering, elusive melody. Each track felt like a hallucination. We didn't know if any of those unorthodox ideas could be incorporated into a traditional album, but we knew we didn't want our next album to be predictable. Sitting together in the same studio where we made our first album, all six of us voiced a commitment to going out on a limb, to making something truly daring. We asked ourselves: were we all earnestly willing, more than ever before, to abandon the precepts of commercial ambition in pursuit of what we believe to be honest art? The inclination to begin writing conventional songs for a conventional album came and went. The temptation to adjust our creative vision to fulfill expectations beyond our studio walls yielded to the audacious ambition of what we hoped to achieve as a band. The two years of making 'A Thousand Suns' marked our exhilarating, surrealistic, and often challenging journey into the creative unknown. On the eve of its completion, this body of work, assembled through unconscious inspiration and unmitigated exertion, has revealed to us notions both stirring and surprising. The album's personified imagery is neither dogma nor political premeditation. The emergent themes and metaphors illuminate a uniquely human story. 'A Thousand Suns' grapples with the personal cycle of pride, destruction, and regret. In life, like in dreams, this sequence is not always linear. And, sometimes, true remorse penetrates the devastating cycle. The hope, of course, springs from the notion that the possibility of change is born in our most harrowing moments. Enjoy the music. Linkin ParkCo-produced by Rick Rubin and Mike Shinoda.

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Dreams Review

Dreams
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Prime Cuts: Midnight Train to Georgia, Yesterday, Alone Again (Naturally)
Where have all the good songs? In today's music economy of dwindling sales, instead of crafting more new to-be classics, many of the revered artists (including Barbra Streisand, Rod Stewart, and Barry Manilow) have gone back to revisit the past. Regardless of what that says about the current state of music today, the past is indeed a treasure trove to mine. For his 30th album, this seventy year old crooner has decided to traipse the songs from the rock era that have been touchstones in his own life. Nevertheless, instead of prostituting himself by singing them karaoke style, Diamond has deconstructed them, imbued them with his patented nuances, and skimpily dressed them often with just piano, guitars and strings. Perhaps his sessions with Rick Rubin have rubbed off on him, Diamond has stuck to the adage less is more. Though this is mostly a downbeat stripped down affair, Diamond sings them with a quiet passion that is uplifting and heartfelt. Nevertheless, song choices are somehow safe as Diamond has chosen some of the more well known songs from the rock era including two from the Beatles ("Blackbird" and "Yesterday"), Leonard Cohen ("Hallelujah"), Leon Russell ("A Song for You"), Randy Newman ("Feels Like Home") and even himself ("I'm a Believer"). It would have been even better if Diamond were not just hover around these icons' signature tunes and maybe tackle a few more obscure tunes.
Diamond shows that he is the master of interpretation on Gladys Knights and the Pips' "Midnight Train to Georgia." Here with just his plaintive tenor awash with all the weathered scars and some haunting harmonica riffs, the feeling of missing someone far away has never more real than on this rendition of this superb tune. Another heart tugging moment comes with Diamond's sober take of the Beatles' "Yesterday." Backed mainly by the piano, Diamond takes his time to squeeze out every ounce of emotion from this ballad. Though the strumming of the acoustic guitar on "Alone Again (Naturally)" gives a brisk rhythm, it nevertheless does not take away the song's lofty message of finding hope in the times of death, heartbreak and spiritual isolation. While Linda Ronstadt gave Randy Newman's "Feels Like Home" a bombastic uplift a few years ago, Damond's take is more like one you would hear performed to an intimate crowd in a coffee shop.
Diamond resurrects his own "I'm a Believer." This time round, there is less of an urgency that perhaps comes with maturity. Diamond here takes in time to delve into the spiritual recesses of the song giving it a more seasoned reading. Also, with the maturation of years, Diamond's take of Leon Russell's "A Song for You" is more believable. When he sings about "I've acted my life in stages/ten thousand people watching" you know they are merely scripted rhetoric. While Whitney Houston transforms "A Song for You" into a slick dance anthem on her brilliant album "I Look to You," Diamond takes the jazzy route topped off with some excellent saxophone solos. More intimate bounds abound with an almost campfire feel as Diamond recounts some life lessons on "Losing You."
Perhaps the major quibble that will be fired at Diamond is that 14 ballads all of them performed in a stripped down fashioned may require more attention and careful listening. Things would have been more sustaining if a few uptempoes and/or a few duets were added. Nevertheless, in this day and age where lyrics are repetitive and cliché, these classics remind us again that good songs are perhaps historical. But it's good that Diamond has gone back to the past: revisited these gems, re-lived them again and given them some a fresh coat of interpretation. This project is indeed a labor of love and "Home" is indeed where the heart is.


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On Dreams, Neil Diamond performs a selection of his all time favorite songs of the rock era.Neil pays homage to some of the world's greatest songs and songwriters.Dreams includes works originally recorded by such legendary artists as The Beatles, The Eagles, Randy Newman, Bill Withers, Leon Russell, Leonard Cohen and more.On Dreams, Neil interprets the songs in a very personal way. Across a musical career spanning nearly five decades, Neil Diamond has sold more than 125 Million albums worldwide, with his last studio album Home Before Dark debuting at # 1 in the US and abroad.His most current release, Hot August Night NYC DVD, is already certified double platinum.Neil has a remarkable track record of 16 Top Ten albums, and 37 Top Ten singles, plus a Golden Globe Award, a Grammy Award, and Neil was named 2009 MusiCares Person of the Year.

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