We Live Here Review
Posted by
Jody J Oneal
on 6/18/2012
/
Labels:
bill evans,
contemporary jazz,
jazz,
jazz guitar,
lyle mays,
modern postbebop,
pat metheny,
smooth jazz
Average Reviews:
(More customer reviews)This is one of the more difficult PMG albums to like. What has changed most since the previous studio album ('Letter From Home', but can it really be six years earlier) is the rhythm. It isn't just that the personnel have changed -- Pedro Aznar has disappeared, to be replaced yet again by Messrs Blamires and Ledford. No, for this album, the compositions are guided by the new groove, a sort of Metheny hip-hop, minus any rap.
Some, but not all, of it works. None of Metheny's subsequent albums has followed this path.
Well worth the price alone is a wonderfully exuberant track #4, 'To the End of the World', which provides empirical proof that there is a God. Structurally, it's a re-working of 'Are You Going With Me' to the new groove, but there is no harm in that. I could swear that even the intellectual Steve Rodby gets funky for a few seconds!
A fascinating aspect of the sleeve notes is where each artist lists seven or eight albums of the past. It doesn't say whether these are their most influential albums, or their favourite albums, but there are a few surprises. Guess who lists Stravinsky? Beefheart? Wayne Shorter? (Three of them, actually.)
No Metheny compilation would be complete without track #4.
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